Thursday, October 23, 2008

The Architecture of Fantasy I

Pictores Statuarii Architecti


Pictores Statuarii Architecti a


Pictores Statuarii Architecti b


16th century funeral monument


baroque crypt design


Hydriatitel - grotesque 16th century jug


Saliniumtitel - grotesque sideboard


Perspective d


Perspective e


Perspective c


Perspective


Perspective a


Perspective b


Het labyrinth wordt - 16th century garden layout design


Labyrinth - garden architectural design


Caryatidum (Vulgas Termas vocat) 1565 c


Caryatidum - embellished architectural plinths or columns


Caryatidum (Vulgas Termas vocat) 1565 quartet


Caryatidum (Vulgas Termas vocat) 1565 quartet a


Caryatidum (Vulgas Termas vocat) 1565 quartet b



16th century designs by Hans Vredeman de Vries, sourced from Rijksmuseum, University of Heidelberg, Frisian Historical and Literary Centre and Ornamental Prints Online.


Originally, the intention here was to focus in on the outlandish columns and plinths (from 1565) seen in the last half dozen or so images above. But providence would have it that the large-ish format images of the desired material was accompanied by some of the most intrustively toxic watermarking it has ever been my misfortune to encounter.

My energy and patience was zapped after painstakingly - and not quite successfully- removing or reducing the watermarks in the two larger images featuring columns. So the rest were assembled into quartets of the smaller versions by way of compromise. (many of the balance of the above images were background cleaned too, just by the way)

I was drawn to the columns because they pre-date a few other sets of ornate fantasy pedestals or caryatids that have been showcased on BibliOdyssey previously. Together, all these works appear to constitute something of a genre of onwardly-evolving architectural design fantasies, restricted only by the imagination of each of the artists/engineers/architects involved. Check out the following old entries to see the weird permutations of the 'style' (and no doubt this collection is woefully incomplete, in the bigger academic picture, but nevertheless very cool in the "I had no idea gobbling down handfuls of magic mushrooms was a prerequisite for architectural design in the 16th century" kind of way) ...

In year order of publication:

The silver lining to the watermark conundrum, of course, was finding a slew of extravagant, marvellous, and curious designs by de Vries, covering such a wide range of subject matter that it warranted posting two entries. And perhaps the weirder images are yet to come.

***Be sure to see the follow-up, The Architecture of Fantasy II, for more examples, background detail and links***

10 comments :

Karla said...

The columns are entertaining, but I was more struck by a couple of other things, namely:

1) While I'm familiar with the practice of putting an effigy of the deceased atop a tomb, this is the first time I've ever seen the effigy of the deceased sandwiched between an upper and a lower... well, are they separate coffins or is the upper thing a fancy canopy to keep the rain off the effigy? Or is the whole thing actually an opening-up tomb from which the deceased is levitating (under the lid) and will then fly sideways and escape? (I'm starting to envision an animated cartoon of this, to be done after I learn animation software at some unspecified future time...)

2) The magic mushroom notion is rather apropos to that one garden labyrinth, I think; as far as I can tell, the entrance to the labyrinth takes one to a dead end next to the dead end one reaches if one starts at the center. Or am I under influence of something to think that this is the case? Aren't labyrinths (unlike mazes) supposed to lead the traveler to the end and not, inexorably, "up the garden path?"

Michael said...

The perspective in the two spiral staircase illustrations is erroneous, as it is in the illustration immediately preceding them, in which all the vanishing points are on located on the horizon line, which is impossible for those forms that are inclined or not horizontal. The vanishing points for those object should be above or below the horizon. I've always thought these were egregious errors in what was supposed to be a textbook of perspective practice.

jdg said...

I'm speechless. So beautiful.

Thank you for all your work.

PIGNOUF said...

Jolie leçon de perspective architecturale !
Merci Peacay.

peacay said...

Jarreau said...
"Awesome post. Those renderings are magnificent."
----
(self linked comment deleted)

Kittybriton said...

I love Karla's comment!
If you don't, somebody should! Very Monty Python!

Karla said...

Ah, Kittybriton, you refer to one of my formative influences. (Have you seen Terry Gilliam's book Animations of Mortality, a slim volume in which the author purports to show us how to make truckloads of money from animation?)

While I have given up on certain ambitions (paleontology, for example), I still nourish the fantasy that I will take up animation, especially as more and more ideas for it crowd my disorganized brain, a good many of them prompted by images here.

Moow said...

http://www.flickr.com/photos/moow/sets/72157608402907390/

some scans

mojadopapel said...

Estoy francamente alucinada con esta pagina maravillosa.

peacay said...

Estou francamente louco ;- )

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