Thursday, April 14, 2011

Friendly Anemones

Actinologia Britannica

19th century chromolithographs of sea anemones

actiniaria species

lithograph of actiniaria specimens

19th century lithography of sea creatures

sea anemones - book illustration

natural history illustration - actiniaria species

chromolithograph of sea anemones

victorian era actiniaria (sea anemone) illustrations

scientific illustration: sea anemones in colour

chromolithographs of sea anemones

illustrations of actiniaria

This enigmatic fellow would definitely make my short-list for dinner party guests from throughout history...
"Philip Henry Gosse (1810 – 1888) was an English naturalist and popularizer of natural science, virtually the inventor of the seawater aquarium, and a painstaking innovator in the study of marine biology. Gosse is perhaps best known today as the author of Omphalos, an attempt to reconcile the immense geological ages presupposed by Charles Lyell with the biblical account of creation.

After his death, Gosse was portrayed as a despotic and fanatically religious father in Father and Son (1907), the literary masterpiece of his son, poet and critic Edmund Gosse." [W]
Gosse's 1860 book, 'Actinologia Britannica - a History of the British Sea-Anemones and Corals' was a very popular follow-up to a series of works he published that described how to stock and maintain a home aquarium. But as an early conservationist, Gosse was said to have been somewhat disturbed by the public's clamouring for all manner of tidal plant and animal to fill their home collections on the back of his sea anemone book.

The book's success was due, in no small part, to the vibrant set of a dozen chromolithographs prepared by W Dickes from Gosse's own designs and drawings.
"Among Dickes finest color plates. the softness, subtlety, and richness of the coloring far exceeds in quality the best achieved by the four-colour processes of today" [(McLean, Victorian Book Design, p.199)]
The illustrations were described as having "something of the mystery and opulence of those in 'The Temple of Flora'" (Ray, The Illustrator and the Book in England from 1790-1914, p. 106) [source]


Andrew said...

Beautiful! Love this stuff. Like a muted Jim Woodring. Thanks so much.

Anonymous said...

Interesting and pretty!

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