Friday, May 16, 2008

The Cheerful Cricket

The Cheerful Cricket - Jeannette Marks + illust. Edith Brown 1907


The Cheerful Cricket (LoC)


Green Inch-Worm


Slothful Toad


(detail) chromlithographic childrens book


Sullen Caterpillar


Sullen Caterpillar a


The Dizzy Moth


The Humming-Bird





The Mean Spider


The Mean Spider a


The Noisy Fly


The Walking Stick


Vesper Quartette






The delightful chromolithographs above - mostly chapter title pages - were taken from 'The Cheerful Cricket and Others' by Jeannette Marks with illustrations by Edith Brown, 1907, at the Library of Congress. They've been spot cleaned a little and I boosted the colour slightly.

The book is also available at the Internet Archive:

"The Cheerful Cricket and Others is a collection of stories about how different insects and animals learn meaningful life lessons. There are little songs at the end of each story that children and adults can play and sing together."
I'm not sure I can decide if any of the few 'Jeannette Marks' online - possibly a suffragette, proud lesbian, poet, dramatist and/or english professor - are in fact the author of this book. Probably not.

Edith Brown, on the other hand, was a founding member of a group of young women known as the Saturday Evening Girls, who began meeting at the Boston Library in the late 19th century and later established Paul Revere Pottery.
"[The group was] part of a social and cultural endeavor that began in the Boston Public Library in the 1890s. They were the result of the convergence of three major movements influencing Boston at the time: the growth of the Arts and Crafts Movement, the evolving role of women and Women's Movement, and the Settlement House Movement."
See: one, two, three. (None of this has anything to do with the Cricket book at all of course.)

1829 Surgical Album

vintage surgical equipment



vintage traction devices


head bandaging techniques


1829 surgical instruments


vintage surgical splints


historical leg fracture splinting


vintage trephine equipment


vintage craniotomy equipment


historical hospital immobilising machines


historic scoliosis treatment devices


medical prostheses and surgical tools


vintage fracture splints


'Lithographische Abbildungen nebst Beschreibung der vorzüglicheren älteren und neueren chirurgischen Werkzeuge und Verbände, nach dem Handbuche der Chirurgie von Chelius geordnet, und am Schluße mit einer systematischen Zusammenstellung sämmlicher abgebildeter Gerätschaften versehen' by Franz Andreas Ott, 1829, Munich - among the ninety nine monographs in the wonderful Edoc database at Humboldt University in Berlin.

There are perhaps a dozen more surgical instrument lithographic plates in this album supplement. Note the thumbnail link at the top left of the page. There is next to no information online about the book or its author. [via Archivalia]

Tuesday, May 13, 2008

Asia on the World

The Illustration of The Great European War No.16 - A humoros Atlas of the World

'The Illustration of The Great European War No.16
- A humoros Atlas of the World'



(detail) map of India as elephant's head



(detail) map of China 1911



(detail) map of western Europe

It's tempting, finding this caricature map among a collection of propaganda prints relating to the Chinese Revolution of 1911/1912, to overstate the possible subtextual commentary on contemporary events in China.

The map was actually published in Japan in 1914 and the Japanese script is faithfully - apart from some misspellings - rendered into English with the correct dual names and also title added at the bottom of the print.

So, although the China-as-pig figure is seen examining the Manchurian lands of the former Qing Dynasty (ousted in the revolution to be replaced by the early form of the Republic of China) through a magnifying glass (or barometer, as the text apparently implies), it's hard to deduce any strong editorial meaning in the illustration.

Perhaps there is some suggestion that China was too busy smoothing out its own problems to take notice of the rest of the world being on the verge of war? Or that the agriculture-based society had little impact outside its own borders? The complicated series of circumstances that gave rise to the revolution included a sense that foreign powers had too much influence in China together with an emerging desire for a republic similar to America (in many minds), so there may be some measure of irony buried in the imagery.

But the print's title and detailed caricatures across the rest of the world point to the author/illustrator (Tanaka) employing a wider-angled lens, with the focus going far beyond China or Asia. There is a lot to see in the map, not only because it depicts the start of World War I from a satirical standpoint, but because the views being expressed are coming out of Japan/Asia.

My favourite parts are the tusked wart-hog of Germany, the semi-sea monster appearance of Britain (perhaps inspired by Gillray's 1790 cartoon map [see also: Robert Dighton's 1795 map]) and the stitch work appearance for some of the borders, suggesting impermanence.

Somewhat similar maps previously: The Paul Hadol 1870 caricature map of Europe [down the page] (and his 1877 octopus map); William Harvey's 1868 'Geographical Fun' and the 1899 'Angling in Troubled Water' map by Fred Rose.


All images in this post come from: 'Block Prints of the Chinese Revolution' at Princeton University -
"A collection of 30 poster-like block prints of the 1911 Chinese Revolution given to Princeton University East Asian Library by Donald Roberts, class of 1909. The collection is useful for investigations into the visual portrayal of the struggle of Han Chinese versus the Manchus during the 1911 overthrow of the Qing Empire, with issues of "modernity" and "nation" easily visible."
[Update: see Dogs of War for more WWI satirical maps]



Xinhai Revolution 1911



(detail) Xinhai Revolution 1911

Monday, May 12, 2008

Danicorum Monumentorum

"I don't know what storms have driven me out onto this deep ocean of antiquities;
I see no harbor; the dice are cast, whatever destiny in turn may bring." [Ole Worm]


Danicorum monumentorum - Ole Worm - 1643 - 0001


Danicorum monumentorum - Ole Worm - 1643 - 0355


Danicorum monumentorum - Ole Worm - 1643 - The Hunnestad Monument - 0211


Danicorum monumentorum - Ole Worm - 1643 - 0497


Danicorum monumentorum - Ole Worm - 1643 - 0508


Danicorum monumentorum - Ole Worm - 1643 - 0073


Danicorum monumentorum - Ole Worm - 1643 - 0224


Danicorum monumentorum - Ole Worm - 1643 - 0238


Danicorum monumentorum - Ole Worm - 1643 - 0266


Danicorum monumentorum - Ole Worm - 1643 - 0275


Danicorum monumentorum - Ole Worm - 1643 - 0354


Danicorum monumentorum - Ole Worm - 1643 - 0458


Danicorum monumentorum - Ole Worm - 1643 - 0470


Ole Worm (Olaus Wormius) (1588-1655) was a Danish polymath who travelled widely in his youth, studying at a range of European universities. In Denmark, Germany, France, Switzerland and Italy Worm completed courses in Arts, medicine, surgery, botany, theology and geology.

Like many of the great intellectuals of the Early Modern era, Worm's primary occupation was physician. His studies in embryology led to the discovery of Wormian bones, small accessory plates found along the cranial sutures in the skull. He lived most of his life in Copenhagen, where he admirably remained treating victims during an outbreak of bubonic plague. His intellectual and noble traits no doubt figured in his appointment as court doctor to King Christian IV of Denmark.

Royal privilege allowed Worm to pursue interests beyond his regular vocation and he drew inspiration from the renowned cabinet of Ferrante Imperato (which Worm visited) and he modelled himself after the great sixteenth century Italian naturalist, Ulisse Aldrovandi. Worm's own large and elaborate cabinet of curiosities was famous throughout Europe, recorded for posterity in 'Museum Wormianum' - one of the most famous of the catalogues from the era of great collections - released posthumously in 1655.

Worm's fascination for antiquarian subjects developed during his extensive travels and he was particularly taken with early Scandinavian and runic literature and the history and meaning of runestones. These typically upright boulders, found throughout Scandinavia, were carved with runic inscriptions and set in place from about the fourth (I guess the tools in the sixth image from the top are viking in origin) to the twelfth centuries. In most cases, they are burial headstones, presumably for heroes and warriors.

Worm published works on the runic calendar, translations of runic texts and explications of folklore associated with the runestone histories. But by far his most extensive and important work - 'Danicorum Monumentorum' - was the first serious attempt to scientifically analyse and record all one hundred and forty four known (at the time) runestone sites in (the then) Denmark. With the King's blessing and support, Worm contacted bishops all over the country who were instructed to provide details and drawings of the barrows, stone circles and carved inscriptions in their regions.

It's ironic that some of the rock monuments recorded in his book have since disappeared, partly as a result of Worm agitating to have all the stones brought to Copenhagen, (perhaps as additions to his burgeoning kunstkammer) and the few relics that were actually delivered ended up being destroyed in a fire in the capital later on. So, in one sense the book contains valuable data about missing sites in Scandinavian archaeology, but, as Worm didn't visit all of the runestone sites himself anyway and, as his engraver (who hadn't visited any of the sites) worked from variable quality sketches, the accuracy of the book illustrations themselves are also suspect. 'Danicorum Monumentorum' certainly had lasting influence in the systematic methodology applied to archaeological surveys, however the quality of the linguistic interpretations render the book an interesting historical document without lasting academic importance.

 
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