Saturday, January 05, 2008

Half Life





Wound Man - 1460


Medizinische Texte und Traktate - (Cod. Pal. germ. 644) - 1460


Cod. Pal. germ. 644 - Medizinische Texte und Traktate - Süddeutschland, um 1460 jpeg a


Medizinische Texte und Traktate - Süddeutschland


Medizinische Texte und Traktate - Süddeutschland a

The famous Wound Man* together with the anatomy and phlebotomy diagrams and the urine 'connoisseurs' illustrations [see also: Tabula Urinarum] come from a collection of medical treatises from South Germany compiled into the one manuscript and dated from about 1460 - Codex Palatinus Germanicus 644 at the University of Heidelberg (click "Bll. 1-50" and then the "-" sign at the top of the page to view the thumbnail images).

By way of addendum (and very slight erratum) to the BibliOdyssey Book (p.133), this picture of the Wound Man predates the earliest printed version of the iconic medical schematic by more than thirty years. The version above is certainly (?!) the oldest version online.

I read in passing that this recurring profile of iconographic forms - zodiac man*, wound man, phlebotomy man et al - are thought to derive originally from manuscripts going back to the 13th century. The oldest printed version of the Wound Man is to be found in the 1491 latin edition of 'Fasciculus Medicinae' by Johannes de Ketham - notable for being the oldest printed book containing any anatomical illustrations, a book Leonardo was said to have owned/consulted. {See: here and here.}


Caricature of Carl Leavitt Hubbs when illness prevented him from taking the whale census


Caricature of Harald Ulrik Sverdrup


Caricature of Joel Walker Hedgpeth

Never let it be said that oceanographers don't have a sense of humour. These caricatures were found among the 10,000 photographs at the Scripps Institution of Oceanography Archives at the University of California, San Diego. I seem to recall finding a few other oddities - Marshall Islands nuclear explosion greeting cards and the somesuch.


Das Bischofsamt als Gipfel der dornigen Tugendleiter - Dietrich Meyer about 165 gssg.at

This engraving by Dietrich Meyer from about 1650 falls within the realm of emblemata and comes replete with a range of puzzling allegorical motifs. It's (I think) ostensibly saying that the Bishop's thorny path up the pyramidal obelisk of virtue affirms the victory of life over death. (And/Or?)


Kampf gegen Sünde und Krönung des Siegers 1653

The good Sir Knight battles the Whore of Babylon* and the seven vices.
The engraving from 1653 is by Conrad Meyer.


Triumph des ägyptischen Joseph - Volkertsz + Heemskerck 1564

Joseph's dream of his triumph in Egypt (?) - an engraving from
1564 by Dirck Volkertsz from a design by Marten van Heemskerck.




Triumph Hiobs - Volkertsz + Heemskerck 1564

Known as 'Triumph Hiobs' (I presume Hiobs = Job, a la Old Testament),
this 1564 engraving is also by Dirck Volkertsz/Marten van Heemskerck.

These all come from the very interesting graphics collection at the Danube University Krems in Austria. (best way to view things is via the search - 'suchen' - page with easy to follow drop down menus). Although I would say that the collection tends to be predominantly religious in nature, it is more geared towards the allegorical and eccentric 'sky wizardry' types than regular Christian iconography. There is a fair smattering of portraits (including one of Fr. Kircher I don't think I'd seen before) as well as architectural and landscape prints around. (probably via Archivalia)


Jan Swammerdam - Bibel der Natur 1752 www2.hu-berlin.de - humboldt print of month

From Jan Swammerdam's famed 1752 insect book, 'Bibel der Natur', one of the Object of the Month series at Humboldt University (I think these are drawn from the wonderful Natural History Collection)


Man sitting with wooden neck torture/restriction device. (1804)


Guards twisting prisoner's ears


'The Punishments of China' (1801/1804) by GH Mason at NYPL "looks like a cheerful children's book, but it provides graphic detail of ingenious cruelties devised to penalize thieves, disorderly women and translators who willfully misinterpreted others' words. The punishment for "committing fraud on merchants" was to be suspended face down on a canvas sling that could be tightened to back-breaking extremes." (for example)
Coincidentally, a copy of this book is presently on display in an exhibition at the Getty Museum in Los Angeles: 'China on Paper: European and Chinese Works From the Late Sixteenth to the Early Nineteenth Century'.


Enderung vn.d. schmach der bildung Marie 1514 mdz10.bvb.de k


Enderung vn.d. schmach der bildung Marie 1511 mdz10.bvb.de


Enderung vn.d. schmach der bildung Marie 1514 mdz10.bvb.de a


Enderung vn.d. schmach der bildung Marie 1514 mdz10.bvb.de b


Enderung vn.d. schmach der bildung Marie 1514 mdz10.bvb.de c

This 1514 book from Munich State Library is very resistant to all my searching efforts despite my having saved some identifying details. It is a religious book of some sort. By that I mean that it may be something about the history of acceptance of Mary into Christianity as a Saintly figure, but there was also a relationship to Judaism if I recall correctly. My notes say: "[Impressum]
Enderung vn[d] schmach der bildung Marie von de[n] jude[n] bewissen. vn[d] zu ewiger gedechtnüsz durch Maximilianu[m] den römische[n] keyser zu male[n] verschaffet in der löbliche[n] stat kolmer. vo[n] da[n]nen sy ouch ewig vertriben syndt, [Straßburg] urn:nbn:de:bvb:12-bsb00011433-7 [1511]" I of course just kept the torture scenes which were very much in the minority - most of the woodcuts in the book were in fact rather more benign than these.




The trippy healing mandalas drawn on graph paper by Emma Kunz (1892-1963) were obviously influenced by her Swiss family of weavers and call to my mind theosophy and spirographs equally. [via Tomorrowland]


Other things....



For the benefit of the rss readers, here are all the digital library and resource sites from the sidebar (a few new ones added in the last couple of months)...

library of congress
british library
library france
library holland
library spain
library portugal
european library
library australia
collections canada
digital poland
nypl digital
botanicus digital
rare book room
britmuseum prints
smithsonian galaxy
casglu'r tlysau
rumsey collection
digital scriptorium
cesg manuscripts
digital book index
primary sources
online exhibitions
worldcat search
library directory
digital librarian
intute resources
herder institute
warburg institute
lexilogos links
digiwiki links
archivalia blog
book arts web
arts journal
artcyclopedia
woodblock
coconino
alchemy website
health history links
history network
new advent

Monday, December 31, 2007

Deco Vignettes

Art Deco Vignettes - Henri Gillet 1922 f


Art Deco Vignettes - Henri Gillet 1922 l


Art Deco Vignettes - Henri Gillet 1922 k


Art Deco Vignettes - Henri Gillet 1922 j



Art Deco Vignettes - Henri Gillet 1922 e


Art Deco Vignettes - Henri Gillet 1922 i


Art Deco Vignettes - Henri Gillet 1922 h


Art Deco Vignettes - Henri Gillet 1922 g



Art Deco Vignettes - Henri Gillet 1922 d


Art Deco Vignettes - Henri Gillet 1922 c


Art Deco Vignettes - Henri Gillet 1922 b


Art Deco Vignettes - Henri Gillet 1922 a


Art Deco Vignettes - Henri Gillet 1922


Sunday, December 30, 2007

Reineke Fuchs

Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) Titlepage (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p9 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p30 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p19 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) 49 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p29 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p31 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p34 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p39 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p36 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p44 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p38 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p42 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p48 (coconino)


Wilhelm von Kaulbach - Reineke Fuchs, 1857 (Goethe) p45 (coconino)


With roots stretching back to Aesop's Fables and the oral folk tradition, the allegorical tales of Reynard the Fox ('Reineke Fuchs') emerged in the 12th century as a storytelling convention, becoming conspicuously popular in Germany, France and Holland.

One of the common structural themes around which the assorted tales frequently revolved has the rogue hero Reynard outwitting a royal court when he is brought up on charges laid by other forest animals. Recurring characters include the wily Reynard, King Noble the lion, Isengrim the wolf, Bruin the bear, Baldwin the ass and Tibert (Tybalt) the cat.

Always humorous, often in verse form, the assortment of fables satirised the contemporary societies in which they were developed, resulting in "the subversion of certain kinds of serious literature, of political and religious institutions and practices, of scholarly argument and moralizing, and of popular beliefs and customs". The shameless and self-serving fox emerges as the peasant hero with his display of contempt for the upper classes. The anthropomorphic animals in the stories could of course be adjusted to symbolise real political or clerical figures or broad allegorical concepts to fit the prevailing mood as desired.

Germany's great writer, Wolfgang von Goethe, adapted a medieval version of Reynard the Fox to produce an epic poem in hexameter in 1794 - 'Reinecke Fuchs' - which is thought to have been influenced by the events of the French Revolution. German artist Wilhelm von Kaulbach produced an elaborate set of steel engravings in the 1840s (therefore, interestingly, he was a contemporary of JJ Grandville**) which were first published in the 1846 edition of 'Reinecke Fuchs'. The images above are derived from an 1857 facsimile edition. I can't imagine this was intended as a childrens book - there is some bawdy and fairly sophisticated imagery present, but maybe it's just my modern perspective/expectations and this was actually good and proper fare for a 19th century child (?).

**Brief searches revealed that a combined book of Grandville's classic 19th century anthropomorphic satire 'Les Metamorphoses du Jour' and Kaulbach's 'Reinecke Fuchs' series of illustrations was published at one stage. There was no indication that the two had met and I think that Kaulbach was the more famous artist, at least during the 1840s. [Grandville]

 
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