Monday, February 05, 2007

The Temple of Music

The Temple of Music - Pars II Fold-Out Illustration (after p 159)

Another Temple of Music - Pars II Liber Primus p168

De Systemate Musico - Pars II Liber Secundus p171

De Naturae Simia - Titlepage

Pars V Liber Teritius p337

Fludd - Pars II Liber Teritius page unnumbered (after p183) - Pars II Lib. VI p234

Automatic Music Machine - Pars VII Liber Tertius p483

Music Machine - Pars VII Liber Tertius p484

Pars VII Liber Tertius p485

De Temporibus Musicis - Pars II Liber Quartus p191

Pars II Liber Quintus p230 - Pars II Lib. VI p236

Fludd Music - Pars II Liber Septimus p249 - Pars II Liber Septimus p253

Musical Instruments - Pars II Lib. VI p233 - Pars II Lib. VI p237

More musical instruments - Pars II Lib. VI p240 - Pars II Lib. VI p242

Mathematical Maps - Pars I Liber Nonus p150 - Pars I Liber Primus p9 - Pars I Liber Primus p13 - Pars I Liber Primus p20

[click images for larger versions]

You know how sometimes when you first come across a new topic or thing and you see it from one particular angle that makes you like it so you retain a sympathetic viewpoint as you rummage around for more information?

That's how I felt about the enigmatic and controversial Robert Fludd (1574-1637) as I made my way through his 'De Naturae Simia' book from the enormous 'Utriusque Cosmi Maioris Scilicet et Minores Metaphysica, Physica Atque Technica Historia' series, published by Theodore de Bry in batches between 1617 and 1626, online at the J Willard Marriot Library at the University of Utah.

Paging through the website's edited but extensive selection of Fludd's work, it was easy to develop admiration and respect for this polymath who was attempting to document the logical world. He sets down theories and descriptions in latin (all extensively illustrated) covering mathematics, geometry, music, artistic and architectural perspective, horology, military fortifications, astronomy, engineering machines and no doubt other subjects I'm forgetting. Some of the ideas are of course fanciful or perplexing at best, but overall there's this sense that Fludd had an orderly and enquiring scientific mind.

History doesn't have such a singularly supportive view of our man Fludd. After completing his medical studies, he toured the continent for 6 years during which time Fludd became interested in alchemy and Rosicrucianism. From then on his views and extensive publications present a mystical, hermetic philosophy as Fludd attempted to incorporate the ideas of Paracelcus into an essentially staunch religious framework. His medical practice involved a fair sampling of astrology and faith healing and Fludd's forceful and magnetic personality was said to help cure his patients.

Fludd was accused of being a magician and a heretic and even the astronomer Johannes Kepler was moved to publish criticisms of the hermetic approach to knowledge. Much of the prolific output of Fludd was devoted to defending the cosmic harmony proposed by alchemists and the Rosicrucian movement. While on the one hand he may come across as a champion of the esoteric sciences, Fludd was also the first to support Harvey's theory about the circulation of blood, he believed in a heliocentric universe, was thought by some to have invented the barometer, obtained a patent from the Privy Council for making steel and he still had time to be a Censor for the Royal College of Physicians.

That initial positive reaction I felt leafing through 'De Naturae Simia' was due in no small part to the sections devoted to music. I can't read latin almost at all and I have no academic knowledge in relation to music or music history, but there is a distinctly studious feeling attached to the musical maps and musical notation illustrations (many done by Matthäus Merian), beyond the allegorical fancy of the Temple(s) of Music. Perhaps it's naive on my part but I couldn't help thinking that this was an intellect worth exploring.

Virtually all the above images were uploaded at full size. A few have been touched up - which ones? One or two of the illustrations are borderline non-musical and in fact, that last image, with the 4 illustrations, are mathematical calculation maps. I've got a whole load more images for a second post in a day or 2 and it was a toss up how to divide them between entries. If you want to find any of the above images in the cumbersome Utah University website, the page numbers are all listed in the image alt-tags (right click the image & choose 'properties').


Carme Miró said...

Thank you for your post. I like It a lot. It's a realy very interesting music information. I visit your blog frequently. Carme Miró

peacay said...

Cheers Carme!

thehaircut said...

this guy is incredible! even attempting work in so many fields seems unthinkable today. Great work digging through Utah's site..

SvartWolf said...

woa, what a GOOD blog you have here!!!
nice post, that’s is the architecture I love, the one that encircles almost all the sciences and arts!

(I will begin to wander in this blog more frequently, again, nice work.)

Karla said...

Wandering through Robert Fludd's musical offerings makes for a nice relief after a surfeit of visiting and Czech conversation this week. Fludd's name is quite familiar but I can't quite pin down the details in my all-too dead brain (for example, whether he spent time in Prague, etc.). Guess I should look this up a bit. Anyhow, I really like the circular swirling bits on the buildings.

shaundavid said...

hello there, i just discovered your blog and its too good to be true.. maybe you already know this, but there are some Fludd illustrations featured in the Harry Smith Anthology of American Folk Music box set. greetings and happy new year from Shaun in Oslo.

Luca Guariento said...

@Karla: I'm graduating at the University of Bologna (Italy) with a thesis on the tmeple of music, by Robert Fludd. lucaguariento at

Luca Guariento said...

Sorry for the mistake, "De Templo Musicae" (Temple of music).

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