The lavish 1841 publication of 'Ancient Spanish Ballads; Historical and Romantic' (translated by JG Lockhart) is considered to be the first of the illuminated 'gift books', popular (it seems) in Victorian England.
Owen Jones was responsible for the design of the book and he contributed all of the border ornamentation and decorative vignettes together with some of the earliest chromolithographs ever printed (4th image from bottom). The engravings were produced by a team of 6 artists.
Each of the ~250 pages contains some form of elaborate colour border, embellished motifs and/or beautiful arrangement of text within the artistic illustration work. There is very little repetition of either layout or design elements. Only 2000 of these extravagant books were ever made (in this format).
Owen Jones was a Welsh architect and spent a considerable amount of time touring the continent as a young adult. He is best remembered for the 1856 classic, 'The Grammar of Ornament'.
Monday, December 04, 2006
Ancient Spanish Ballads
Sunday, December 03, 2006
The Coach-Maker's Magazine
These plates come from the 'New York Coach-Maker's Magazine [Devoted to the Literary, Social and Mechanical History of the Craft]' from ~1870 at the Smithsonian Institution. (Background artifact has been removed from all the above images)
They also link to the excellent Carriage Museum of America which includes all sorts of esoteric articles (and modest illustrations) derived from 19th and early 20th century carriage and coachmaking journals.
Saturday, December 02, 2006
Pochoir Insects
1. Sternotomis Imperialis. Guinée; 2. Sternotomis cornutus. Madagascar; 3. Callipogon Lemoinei. Perou; 4. Palimna annulata. Cochinchine; 5. Sternodonta pulchra. Sénégal
1. Tacua speciosa. Indes; 2. Polyneura ducalis. Indes Or.; 3. Cicada saccata. Australie; 4. Cicada fascialis. Siam; 5. Tozena melanoptera. Indes Or.
1. Scolia procer. Asie Tropicale; 2. Eulema dimidiata. Brésil; 3. Stilbum splendidum. Cosmpolite; 4. Bombus lapidarius incertus. Arménie; 5. Xylocopa tenuiscapa. Asie Tropicale
1. Rhabdotis sobrins. Nubie; 2. Gnathocera varians. Sénégal; 3. Coelorhina guttata. Guinée; 4. Euchrea celestis. Madagascar; 5. Gymnetis Touchardii. Vénézuela
1. Phaneus conspicillatus. Brésil; 2. Phanoeus imperator. Argentine; 3. Cyclommatus tarandus. Bornéo; 4. Pachilis gigas. Mexique; 5. Phanoeus ensifer. Guyane
1. Pepsis limbata. Amérique du Sud; 2. Chlorion lobatum. Asie Tropicale; 3. Vespa crabro. Europe; 4. Monedula chilensis. Chili; 5. Pepsis errans. Amérique du Sud
1. Nemopistha imperatrix. Afrique Oc.; 2. Tomatares citrinus. Afrique Austral.; 3. Neurolasis chinesis. Asie; 4. Aeschna Cyanéa. Europe; 5. Mnais earnshawi. Indochine
1. Pamphagus elephas. Algérie; 2. Tropidacris dux. Amérique du Sud; 3. Cyrtacantacris tartarica. Asie; 4. Aularches miliaris. Asie; 5. Phymateus saxosus. Madagascar
1. Delias neagra. Nouvelle Guinée; 2. Catagramma kolyma. Amazone; 3. Dichorragia nesimachus. Sikkim; 4. Elymnias malelas. Inde; 5. Eulepis eudamippus. Indo Malaisie
1. Goeana festiva. Indes; 2. Zammara tympanum. Amérique du Sud; 3. Goeana ochracea. Indes; 4. Phenax variegata. Brésil; 5. Hemisciera maculipennis. Amazone
1. Euploea rhadamanthus. Inde; 2. Troïdes brookeana. Bornéo; 3. Erasmia pulchella. Sikkim; 4. Papilio antiphates. Inde; 5. Pyrameis myrinna. Equateur
1. Horaeocerus nigricornis. Madagascar; 2. Acrida miniata. Algérie; 3. Aularches miliaris. Asie; 4. Phymateus Brunneri. Afrique Tropicale; 5. Acanthodis imperialis. Asie
1. Arachnis dilecta. Mexique; 2. Hypsa borbonica. Congo; 3. Hypsa dominia. Chine; 4. Cerace stipatana. Chine; 5. Callimorpha hera. Europe; 6. Callimorpha equitalis. Chine
1. Calopterix. Australie; 2. Diphlebia nymphoides. Australie; 3. Palpares imperator. Madagascar; 4. Calopterix. Asie; 5. Nemoptera sinuata. Région Méditerran.
1. Charaxes zingha. Congo; 2. Papilio blumei. Celebes; 3. Argynnis childrenae. Chine; 4. Papilio tyndereus. Congo; 5. Charaxes cognatus. Celebes
1. Batocera Hector. Java; 2. Callichroma suturalis. Guyane; 3. Steirastoma lacerta. Brésil; 4. Rosalia alpina. Europe; 5. Batocera Wallacei. Nouvelle Guinée
1. Amaurodes Passerinii. Mozambique; 2. Inca clathratus. Pérou; 3. Histrionica euchroea. Madagascar; 4. Cerathorhina derbyana. Mozambique. 5. Goliathus giganteus. Cameroun
[definitely click on these images: they are large-ish and much more spectacular at full size]
E.A. Séguy was active as a designer and artist in France in the first three decades of the 20th century. Of that much I am confident. But there is strangely very little biographical material about him online. Much of what is around is copied from site to site (whether university or poster shop) and I don't think all of it is trustworthy. Part of the problem comes from the fact that there was another E.A. Séguy (Eugene Alain - names they both 'might' share too) active in Paris at the same time - but he was an entomologist, strangely enough. One of them died in 1989 so it's likely these prints remain under copyright.
In any event, Séguy the artist is best remembered for a couple of series of prints he produced in the 1920s - 'Papillons' and 'Insectes' - both of which are featured above. The wonderfully lush and vibrant colours we see come from the multiple-stencil technique of pochoir printing, usually associated with the Art Nouveau and Art Deco movements.
Séguy consulted textbooks in an effort to bring a scientific level of accuracy to his work and included the species names and geographic origins that I've copied in as captions. His other work - some 11 albums - abstract his natural history penchant into the world of decorative design in which he constructed decals and motifs from insects, crystals, wings and similar.
Last year North Carolina State University purchased 'Papillons' and we are fortunate indeed that they digitized both that and 'Insectes' - I knew about the large stash of Séguy work at NYPL but the quality and size of their images is mediocre at best. NCSU definitely have the best images online but unfortunately they are all obstructively caged inside the Luna Insight browser architecture. It's worth the trouble in my opinion: these prints are fantastic seen at high magnification, a testament both to the exceptional quality of the pochoir process and to Séguy's artistic abilities.
- George Glazer Gallery.
- 'Vibrant Visions': Pochoir Prints in the Cooper-Hewitt National Design Museum Library.
Great Scott!
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I went looking for
The majority of these images were engraved by Franz Huebner after drawings by Phillip von Stubenrauch of characters from Scott's novels. The costumes appeared in a themed parade at a ball in Vienna in 1826. The harpist and the woman who appears to be praying are undated lithographs (again, of Scott characters) by M. O'Connor.
The image collection in the Walter Scott Digital Archive consists of more than 400 etchings and engravings for the mostpart, housed within the burdensome Insight browser architecture. (previously)