Saturday, June 03, 2006

Cosmographicus Liber



[Uncoloured version Part I, II]






[uncoloured version]
This illustration shows how to deduce the shape of earth
by the nature of the shadow cast on the moon during an eclipse.
(the 2nd and 3rd descriptive notes, although correct here,
should have been switched by the printer in another edition)





Cosmography was a discipline that aimed to mathematically describe the positions of all objects - the moon, sun, stars, continents &c - in the universe. It required a knowledge of cartography, astronomy, geography, architecture, navigation, surveying, astrology and instrument making.

Petrus Apianus (1495-1552) studied cosmography and mathematics in Leipzig and Vienna and began writing short cosmographical works on world geography. By trade he was a mathematician, printer and instrument maker.

In 1524 he published the first edition of 'Cosmographicus Liber' (Cosmographia). He was appointed Professor of Mathematics at the University of Ingolstadt in 1527 and enjoyed favour at the Court of the Holy Roman Emperor Charles V for the remainder of his life.

Cosmographia was only mildly successful when it first appeared. It was a sort of layman's introduction to the various subjects making up cosmography, based largely on Ptolemy and without any particularly original content. It describes techniques for measuring and mapping using mathematical instruments in celestial navigation, planetary motion and terrestrial geography as well as explaining more mundane things like telling the time and how to measure distance with hands (see below) and by pacing.

Over the following years medical doctor and mathematician Regnier Gemma Frisius (who would be a tutor to Gerard Mercator) revised, enlarged and corrected Cosmographia and the full 2nd edition was published to great success in 1533. Further editions followed which included some of the first maps of America. The book would remain popular until the end of the 16th century.

Cosmographia contains many woodcut illustrations and includes moveable stacked illustration plates - volvelles - which could be manipulated to make calculations [Volvelle I. Volvelle II. Volvelle III. Volvelle IV]. Apianus's most celebrated work Astronomicon Caesareum came out in 1540 with extravagant and beautiful volvelles.


Now and then sellers of rare books at ebay provide a large number of decent photographs and I try to remember to scan the available works from time to time. So it was that I came across a 1539 hand coloured copy of Cosmographia from which all the above images were lifted. - most, if not all the book illustrations can be seen on the single page (large load).

After some searching I found that Posner Library at Carnegie Mellon University have posted a complete 1533 version of the work (click 'vol0/part0/copy0'). I chose to post the colour illustrations (at full size) in case the ebay pictures are removed. It's a matter of personal taste but I think some illustrations look better coloured and others look better in their original form.

Friday, June 02, 2006

Kinderbücher


Photographien nach Original-Silhouetten 1875
(there are maybe 6 more silhouettes in the book)



Herr Mops: ein Mährchen by Maria von Olfers 1863 (39 pages)




Kinder Lust in Lebendigen Bildern! by FC Hösch 1863 (39 pages)



Ridicula Rediviva by JE Rogers 1869
(18 pages of nursery rhymes)





'Nußknacker und Zuckerpüppchen' by Clara Fechner 1854 (84 pages)

I think that translates approximately to 'Nutcracker and the Sugar Fairies'. My guess is that it was inspired by ETA Hoffman's 1816 story, 'Nußknacker und Mausekönig' (‘Nutcracker and Mouse King’) which was the basis for Tchaikovsky's Nutcracker Suite [1892].


My rule of thumb when wading through the >500 childrens books online at Braunschweig University is to basically disregard books longer than 100 pages because inevitably the illustrations are not so good. The shorter the book the better the quality, in my experience.

Perhaps 1/4 of their online stock overall has substantial age related damage and/or was poorly digitized. All of the images above (uploaded at full size) were touched up to one extent or another. That still leaves a large body of (mostly) 19th century childrens books from which to sample.

The above images represent a good cross section in terms of illustration and printing styles and although the majority of titles are in german, there are quite a few books from the well known English illustrators such as Randolph Caldecott and Walter Crane. No doubt I will raid their holdings again in the future.

Previous childrens books entries.

Wednesday, May 31, 2006

Oken's Natural History Part II















[click for much larger versions]

There was some beautiful illustration work that went into Lorenz Oken's 1843 natural history book: 'Oken's Allgemeine Naturgeschichte' at the HAAB website. I particularly like the facial expressions on the reptiles. No doubt a lot of it was derivative work. Great stuff. Thanks again to The Cartoonist for finding it.
[see also Part I: Oken Marine Species]

French Etchings

The Capitaine Fracasse
Abraham Bosse (1602-1676)

Westminster Palace
Félix Buhot (1847-1898)

Retour Des Champs Elysees
Félix Buhot (1847-1898)

Pont Neuf
Eugene Bejot (1867-1931)

La Pompe Notre Dame
Charles Meryon (1821-1868)

Le Coq
Felix Bracquemond (1833-1914)

Le Stryge
Charles Meryon (1821-1868)

[click for huge full size blogger/scaled versions]*

'A history of French etching from the Sixteenth Century to the Present Day; Illustrated with a Frontispiece and One Hundred and Six Reproductions in Photogravure' , by F. L. Leipnik." at Carnegie Mellon University's Posner Library.
*If anyone wants a full size version of any of these (>1Mb) without having to go through the hassle of paging through the website, email me.

 
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