Bric-à-Brac

Willard and Idaho pears from sometime around 1900. From the U.S.
Department of Agriculture Pomological Watercolor Collection, housed at the
National Agricultural Library. "During the late 19th and early 20th centuries,
the USDA employed artists to document newly introduced fruit cultivars."

'Spirit of the Vale of Neath' by Thomas Hornor, early 19th century

'Chess Players', drawing by Merlyn Oliver Evans (before 1973)

These 2 images come from the outstanding and exemplary
'Gathering the Jewels' image database in Wales:
"Over 20,000 images of objects, books, letters, aerial photographs
and other items from museums, libraries and record offices in Wales."
Browse thematically, geographically or by simple and metadata
searching. Click everywhere. One of the themes I found engrossing
was the Victorian 'mug-shot' albums from Denbighshire
[click on an image to see a transcript and then again to see an enlarged photo]
This site could should be a model for any image repository.

'Soldier Silhouettes on our Front', 1918 by William L Stidger with
illustration work by Jessie Gillespie, online at Project Gutenburg.

These images, crazy and exquisite by turns, come from the
Iwase Bunko Library in Japan. Regrettably many of the images are
poorly digitized - there is, as I've come to happily expect from Japanese
rare book material, some bizarre and eclectic material, which sometimes
benefits from 'right-click', 'view-image'. I've reduced the size and sharpened
the above examples. The link comes via Pink Tentacle. They have an
excellent post regarding an early 19th century UFO from the Library.

'Peter Rabbit the Magician' 1942 by Mel Richards at Glyph Jockey.

I could post JJ Grandville illustrations every day.
These 2 are from 'L'Exposition de l'Avenir' 1868 at the
wonderful Coconino World. [previous Grandville]

'Darlinghurst Jail' (inner Sydney). This 1891 watercolour sketch
by HL Bertrand is a composite of about 6 splices from screencaps.
It's among the Law and Justice section of the Australian History
collections at the Mitchell (State) Library of NSW.

Harald Fischer Verlag have a dozen plates from the
1790-92 book 'Plantae Selectae' by Jacob Trew.

In 1964, 6 artists formed 'Equipo Crónica' - considered the leading
practitioners of pop art in Spain. An exhibition of these works from
Institut Valencià d'Art Modern has been touring South America and
is currently on display in Mexico. The serigraphs - screenprints -
above come from the exhibition catalogues, available as 5 pdf files
[click 'Catálogo on-line']. A little background in english.
The Equipo Crónica site has some photos of the artists.

These are screen captures from a Harvard Biological school collaborative
project film: 'The Inner Life of a Cell'. It only goes for a few minutes
but I love the inner space/alien world of cell biology.
Alexander Trevi at Pruned finds all the great stuff.

Other things..

-- Ampersand Duck has a couple of great posts describing with text and photographs the art of repairing a book. [via]
-- My Father's Hands
-- 'The Naming of Names - the Search for Order in the World of Plants' by Anna Pavlord. This commercial site gives a run down with excerpts and a few small images from a book about the history of plant names. Looks fascinating. [this is not an advert.]

Charging The Void II

'Thermotrum novum Magdeburgicum dictum'

"This thermometer was over twenty feet in length and this plate shows how it would have been fixed to a wall of a house. The instrument on the left consists of a large copper sphere to which is attached one arm of a long U-tube containing alcohol. The other arm, on the right, is open to the air, and within it hangs a float counterbalanced by a figure of an angel which serves as an indicator on a scale of seven degrees, from 'great heat' to 'great cold'."

'Fig. I. - De primo experimento vacui, per extractionem aquae.
Fig. II. - De secundo experimento, per aeris extractionem comparandi vacuum.'

'Experimentum quo nubes ac ventus
iridisque colores in vitris excitari possunt'

'De modo vacuo exhibendi'

'De machinae alicujus hydraulico-pneumauticae constructione'

'De constructione singularis alicujus machinae, pro efficiendo vacuo'

'De vase vitreo plures quam viginti vel 50 et
plures homines robustos attrahere valente'

'Aliud experimentum quo ostenditur lances
seu phialae praedictas pondere divell'

'Experimentum ingens pondus elevandi'

'Aliud experimentum quid nimirum aeris gravitas operari
possit comprimendo scilicet frangendo omnia vasa'

'Experimentum quo ostenditur quod propter aeris gravitatem
duae phialae ita conjugi ut a 16 equis non distrahi possunt'

[detail from above]

"The Magdeburg Hemispheres
With a modified stirrup pump he pumped the air out of two metal hemispheres which had been fitted together with nothing more than grease. He hitched a team of eight horses to each hemisphere, but they were not strong enough to separate them. The weight of the air acting on the hemispheres — atmospheric pressure — exerted a greater force."

'Experimentum a tam rectaquam cirular'

'Experimentum a tam vortice ipso quam circulatione'

[The above 2 images are details from the same page]

With an aristocratic heritage and an education in law, mathematics and fortress building, Prussian Otto von Guericke (1602-1686) first distinguished himself by providing engineering assistance during the reconstruction of the town of Madgeburg after it was destroyed in a war in 1631. He would go on to serve as Mayor and Magistrate of the town until he was in his mid-70s.

Guericke studied astronomy and was keenly supportive of the Copernican view as to the arrangement of the universe. He was fascinated by the movement and forces acting on bodies in empty space and when he saw a comet through a telescope he rightly opined that these phenomena return into view regularly. Hence, the book under present consideration included an early section (see Part I) outlining Guericke's astronomical calculations.

He read the works of Torricelli, Pascal and Galileo and repeated experiments relating to measuring atmospheric pressure, from which he made weather predictions. He "proposed a network of stations to make systematic reports of the barometer and weather. He made a special barometer in which the column of mercury moved the arm of a man, which thus pointed out rising and falling pressure."

Many of the above engravings depict pumps made by Guericke in his quest to disprove Aristotle's notion of 'horror vacui' - an hypothesis that stated that a vacuum cannot exist: 'nature abhors a vacuum'. Moving on from a suction pump to an air pump, Guericke conducted numerous experiments on vacuums, demonstrating that the air pressure can perform useful work, that fire requires air to burn and that grapes can last 6 months inside a vacuum. These experiments reached a spectacular climax when in 1657, the above Madgeburg Hemisphere's experiment with horses was performed before Emperor Ferdinand III (the image is very famous in physics circles). These vacuum pump experiments were first reported by Gaspar Schott in his 1657 book 'Mechanica Hydraulico-Pneumatica'.

The final image above shows what some regard as the first electrical machine (generator). Guericke constructed a sulphur sphere which could be rotated by a crank and which produced sparks (static electricity -- he didn't know this at the time). Once friction had set up a charge in the sphere, it could be removed from its housing for experiments - Guericke was the first to witness electroluminescence and he determined that like charges repel each other. He also did further experimental work in relation to magnets.

The fact that he did all this - demonstrated vacuums for the first time, performed foundation experiments for the science of meteorology, constructed a static electricity machine (to name just 3) - while working as Magistrate, Mayor and Diplomat is just extraordinary. I confess to never having heard of him previously but now, after having read around, I'm seriously impressed. Polymath, first class.

Otto von Guericke's book was published in 1672 and is called:
'Experimenta nova (ut vocantur) magdeburgica de vacuo spatio primùm à r. p. Gaspare Schotto ... nunc verò ab ipso auctore perfectiùs edita, variisque aliis exmerimentis aucta. Quibus accesserunt simul certa quaedam de aëris pondere circa terram; de virtutibus mundanis, & systemate mundi planetario; sicut & de stellis fixis, ac spatio illo immenso, quod tàm intra quam extra eas funditur'

The images here and in the previous post from 'Experimenta Nova' (I think I've posted all but 1 or 2 illustrations) come from Bibliothèque Patrimoniale Virtuelle - Pôle Universitaire Européen Lille-Nord-Pas-de-Calais [click: 'Double écran' then 'Index iconographique']

Unusually, I think I was lucky finding this book at this particular library. After jagging and uploading all the images I discovered that there are a few other versions online:

• The version at Posner Library is better than reasonable quality but like all their digital books, it is very annoying/timeconsuming having to move through the book page by page, although the 'Collectors File' page is worth reading.
• Worryingly, Herzog August Bibliothek in Wolfenbüttel**[H.A.B](see below) appear to be adding watermarks to their digitized material - I'm pretty sure this is a new practice. In any event, their copy is not really high quality.
• The other version, which I've not checked out, is available for download as a 30Mb pdf file from the Hochschulbibliothek at Georg-Simon-Ohm-Fachhochschule, Nürnberg.

• To my mind, this page from Prof. Eugenii Katz in Jerusalem is overall the best information in english about Guericke online.
• Adventures in Cybersound have a compilation of resources on a single page.
• Madgeburg hemispheres at Kenyon College.
  
• More on the Madgeburg hemispheres at wikipedia.
• Otto van Guericke at About.
• A first edition copy of 'Experimenta Nova' will set you back a mere $65,000.

** In my humble opinion moves by institutions to imprint over illustrations ought to be protested and resitsted wherever possible, with respect to 'out of copyright' material. Either the institution shouldn't post the work online, or high resolution images should be preserved beneath zoom architecture if, for whatever reason, they wish to restrict access to downloadable large image files.

The point here is that the illustration was not made with an H*A*B watermark in the middle of the page and it is, in essence, a disfigurement of public art. Obviously I/we have a vested interest in practices such as these being discouraged, but it seems to me that the institution's ownership of the digitized version can be made plain with either or both copyright notices or a watermark in an inobtrusive location on the page.

I'm moved to comment because H.A.B. is one of the finest online digital repositories and it bodes uneasily for the future of digitized public domain works if such an excellent institution is resorting to these controlling measures. (nb. I haven't checked this out more thoroughly - I just loaded one of their page images from the above link - whether it's just newly uploaded science books or whether they are going back through their catalogue I don't know, so there is a possibility that I'm mischaracterizing the circumstances. I'll return there sometime soon no doubt.)

Charging The Void I

[background repaired]

[click on each image for a much larger version]

There will be is more from the remarkable Otto von Guericke in Part II.

Dissecting Memoirs

Tortoise

Sea-Calf

Ostrich

Ostrich Plate II

Otter

Lynx

Elk

Lioness

Dromadery

C[h]ameleon

Civet

Bustard

Bear

Beaver

Claude Perrault (1613-1688) was without question a prodigious intellectual talent. Beyond his medical training, he earned prizes and published works on chemistry, physics and anatomy and was an early member of the French Academy of Sciences.

He was persuaded to translate the 10 books of Vitruvius and he thus developed an interest in architecture. Perrault is perhaps best known for his classicist baroque designs for the east wing of Le Louvre ('La Colonnade') and the Observatoire of Paris. Together with his (equally famous) brother Charles, Claude Perrault also published a 'Treatise of the Five Orders' of columns in architecture.

The illustrations above are from a 1688 english translation of Perrault's work : 'Memoire's for a Natural History of Animals : Containing the Anatomical Descriptions of Several Creatures Dissected by the Royal Academy of Sciences at Paris', online among the History of Science section at the wonderful University of Wisconsin digial library (note the 'gallery view' link in the sidebar) I have posted a little more than half of the engravings from the book.

"In the Description of rare Animals, which do come from Foreign Countries, we have been particularly careful to represent their external form exactly, and to denote the size and proportion of all the Parts seen without the Dissection: Because these are things almost as little known, as within the Body."

Despite the assertion in the Preface, the whole-animal illustrations are oftentimes fanciful and are certainly derived from earlier works. The anatomical drawings on the other hand are more likely of historical significance.

• Encyclopedia of World Biography on Claude Perrault.
• Catholic Encylopedia.
• Wikipedia.