Saturday, June 12, 2010

Carte Geografiche

Venetia - map of Venice


Budova


Cataro


Famagosta


Forte di Barbagno


Fortezza di Santa Maria de Tremiti - map of Tremiti island, Italy


Lango - map of Kos, Greece


Metileme - map of Mytilene, Greece


Napoli de Romania - map of Napflion, Greece


Negroponte - map of Chalkis, Euboea, Greece


Nicosia


Rodi - map of Rhodes


Scardona - map of Skradin, Croatia


Stampalia - map of Astipalea, Greece


Scharpanto - map of Karpathos, Greece


Tine - map of Tinos


Zarra - map of Zadar, Croatia


Constantinopoli - 16th century map of Istanbul


Giacomo (Jacomo) Franco (1550-1620) spent his whole life in Venice where he worked as a cartographic engraver and publisher in the family business. Although there is scant background material online, evidence for his mapmaking competence can be inferred from the noted cartographer Abraham Ortelius having relied on a Franco map as a reference source.

The array of hand-coloured engravings seen above are from a (presumably) draft collection of illustrations engraved by Franco in 1597 that would be formally published the following year. The book in which they would appear -- 'Viaggio da Venetia a Constantinopoli per Mare' (Voyage from Venice to Istanbul by Sea) -- was ostensibly a navigational guide that saw a number of editions. The accompanying text was supplied by the humanist cartographer Giuseppe Rosaccio and included economic, historical and travel-related details in addition to the navigational notes.

The Viaggio plates (64 in the informal 'Carte Geografiche' suite) depict all the major cities, islands and visible landmarks along the recommended sailing route through the Adriatic, Ionian, Mediterranean and Aegean Seas [map].


Croatia's National and University Library in Zagreb host the 'Carte Geografiche' -- click on the image to launch the painless flash interface or the inside margin list for small images of Croatian towns. All the images above are screencaps: the first and last depict Venice and Istanbul respectively, but the rest are probably out of order.

Previously: cartography

Friday, June 11, 2010

Fungis Danicis

Ramaria coralloides purpurea


Boletus leucoporus (Coltricia perennis)


Ramaria farinosa (Paecilomyces farinosus)


Helvella lacunosa


Peziza dichroa (Aleuria aurantia)



Clavaria mitrata


Clavaria militaris (Cordyceps militaris)

[click through for full sized versions; the images have been recentred and spot cleaned in the background]


"Fifty-seven newly-named fungi, five new combinations and fifty-two totally new taxa are only part of the significance of Johan Theodor Holmskjold's 'Beata Ruris Otia Fungis Danicis Impensa', or Happy Resting Periods in the Country Studying Danish Fungi.

The stunningly rendered, impeccably accurate, and beautiful illustrations of each of the seventy four specimens in the two-volume work led Swedish botanist Anton Jahan Retzius (1742-1821) to call it "the most brilliant work which had appeared up to that time". [...]

Beata was almost as unlikely as it is impressive. After graduating from the University of Copenhagen in 1760 with a medical degree, and touring Europe and studying with botanist Christen Friis Rottboll (1727-1797), Theodor Holm spent only three years as a professor of natural history at the Academy of Sorø. In 1765, at age 34, he left the academy with a pension, and spent the next two years resting in the countryside near the Danish seaport of Aarhus, indulging his interest in botany by observing and writing about the fungi he found there. He also commissioned artist Johan Neander to make detailed, life-size drawings of the specimens Holm collected and described.

It seems this brief period formed the basis of his research for Beata, because in 1767 he was appointed one of the general directors of the Danish postal service, and he spent the rest of his life serving his queen and king in several capacities."

The quotation and all of the images above - presumably transparencies rather than page scans - come from a subsite within the Harvard University Herbaria: The Life and Works of Theodor Holmskjold. Regrettably, there are no more of these vibrant illustrations available.

The images below are the two best on offer from a larger 'Fungis Danicis' selection - of variable physical and digital quality - at the Faculty of Life Sciences Library at Copenhagen University.

The Danish Society for Nature Conservation
devotes a number of web pages, albeit in Danish, to Johan Theodor Holmskjold.

[via] | previously: Les Champignons


Short explanation of the inner structure of the Bulgaria fungi


Clavaria capitata

Sunday, June 06, 2010

The Butterfly Album

hand-painted butterflies



exquisite butterfly painting 1800s



gorgeous 19th c. Chinese hand-painted butterfly album



flying beetle hand-painted in butterfly album



watercolour sketch of insects in butterfly album  1800s



cricket and butterfly sketch - China 19th c.)



hand-painted butterflies & insects from Chinese watercolour album 1800s



exquisite hand-painted butterfly from 19th c. Chinese watercolour album



watercolour sketch of insects (China)



close-up hand-coloured sketch of butterfly



painted insect sketch



Butterfly Album sketch 1800s - China



gorgeous watercolour drawing of insects



Butterfly Album i



19th century watercolour insect sketch



insect sketches in chinese album 1900s




Butterfly Album j

[click through for larger versions; all images are screencaps taken from the flash zoom display; detail images are slightly doctored]

The Royal Digital Library of Belgium has a small album of delicate and charming gouache insect sketches produced in China in the 19th century.

The only other information known is that the butterflies and insects were collected from the Aralia (spikenard) and related Tetrapanax papyrifera (pith paper tree) plant species.

The Harvard University Herbaria has a sub-site devoted to the versatile pith paper tree, including a selection of beautiful watercolour sketches from a 2-volume series on the plant, also from the 19th century.

Previously: fauna | flora.

 
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