Michael of Rhodes

"In 1401 a young man named Michael of Rhodes joined the Venetian navy as a lowly galley oarsman. Over the next four decades, he sailed on more than 40 voyages and took part in five major sea battles, rising through the ranks to become a trusted galley commander.

Michael documented his life and knowledge in a remarkable manuscript. Only recently rediscovered, it chronicles Michael's service record and includes more than 200 pages of commercial and calendrical computations, a beautifully illustrated section on astrology, some of the earliest surviving portolan aids to navigation, and the world's first known treatise on shipbuilding."

"The Michael of Rhodes manuscript was lost for 400 years until it resurfaced in 1966 and again in 2000, when it was made available to the Dibner Institute for the History of Science and Technology for study" {I recommend the non-flash version -- that way you can see the larger images} The commentary is excellent.

The Lion Family Tree

These extraordinary documents from ~1580 are 3 versions of the same family tree. The lineage appears to start in the 7th century (see the 3rd image) and moves upwards to the horizontal line of siblings of Julius, Prince of Wolfenbüttel (1528-1589) from Lower Saxony, Germany. Above there is a depiction of the (mad) Roman Emperor Rudolf II (2nd image).

As best I can make out from translations, this tree appears to relate to the Lüneburger line of the Welfenhauses and outlines evidence for the legitimacy of the contemporary royal family of Prince Julius. The central lion figure (5th image) is a representation of Heinrich der Löwe (1129-1195) {'Henry the Lion', funnily enough}, a powerful Saxony royal.

The artistic work was produced by Georg Scharffenberg at the printery of Conrad Horn.

The website for these family trees is hosted by the Herzog August Library in Wolfenbüttel and has only been online since April. The flash zoom is really needed to see the detail clearly. The large images above are spliced screencaps. [click 'Prachtstammbaum' to get to the flash versions of each scroll] {translation of commentary} There is further background and links to image details and related documents from the sidebar menu.

Estonian Illustrators

Vladislav Stanisevski

Peeter Ulas

Imbi Ploompuu

Regina Lukk-Toompere

Günther Reindorff

Leonhard Lapin

Pritt Pärn

Herald Eelma

Concordia Klar

Aino Bach

Eduard Järv

Jüri Arrak

The National Library of Estonia have a large collection of book scans, prints and original sketches by illustrators from the last ~70 years. [Click the entries with green boxes]

Heidelberger Totentanz

The Dance of Death or 'Le Danse Macabre' or 'Totentanz' or 'la Danza de la Muerte' was an artistic response across Europe to the devastation brought about by the plague or black death.

Although the origins are obscure, the idea of death visiting households without regard for social or economic status arose as a cultural phenomenon by way of dramatic plays. {Dante and Petrarch are mentioned as possible examples} The inevitablity of death was a reminder to be prepared by living a pious life: 'Memento Mori' -- 'Remember You Will Die'.

The earliest recorded artistic examples were frescoes in the Church of the Holy Innocents in Paris in 1424 (now gone). There are recordings of other church frescoes and paintings touching on the danse macabre theme in the the 15th century, most notably the paintings by Bernt Notke in St Mary's church in Lübeck, Germany in 1463. It is probably a little simplistic to think of the dance of death genre arising in isolation - pictures of death in cemeteries and churches had a long association with religious practises.

But it appears* that the incunabulum, 'Heidelberger Totentanz', was the first book in which the dance of death was portrayed. The author is unknown but it was printed by Heinrich Knoblochtzer in 1488 and contains a core series of 38 woodcuts in which the satricial emblem of death visits upon all manner of citizens. In most, the skeleton carries a musical instrument as a type of Pied Piper motif. The text, in a high German dialect, is addressed by death to its target.

[*There was an earlier work by Guyot Marchant in 1485 in which the paintings from the Church of the Holy Innocents were reproduced in 17 woodcuts (this is how we know about the original frescoes) and accompanied by text. So it's probably fairer to regard 'Heidelberger Totentanz' as containing the first dance of death illustrations produced solely for a book.

There is also some mention of 'Heidelberger Totentanz' having appeared in a different form in the 1460s but nothing I saw suggested I was reading an 'authority' - it's quite possible the woodblocks had been carved prior to 1488 however.]

{As a followup - which is to say, I'm still reading around after writing most of this - I have come across a couple of handwritten and hand-illustrated manuscripts from the 1460s which have depictions of totentanz - I'll probably check them out further for a future post. So maybe I'm being a little preemptive labelling 'Heidelberger Totentanz' as the first dance of death book; although that is how it's described everywhere.}

'Heidelberger Totentanz' is online in its entirety at the Universitätsbibliothek Heidelberg. Click the '+' button at the bottom of each page for very large pdf images.

• This site has some background analysis regarding the 'Heidelberger Totentanz' and has links to smaller copied versions of all the images at the bottom of the page - an easy way to see the rest of the illustrations beyond what I've posted above.
• Previous related posts (and associated links): i, ii, iii, iv.
• A wonderful series of Danse Macabre images at Cornell University's 'The Fantastic in Art and Fiction'.
• The Monumental Brass Society (with galleries).
• In french and semi-english, the Tapholov site has some unique images in its nooks.
• Did Notke paint the Dance of Death in Lübeck?
• This German site has quite a few small medieval images related to the plague.
• UPDATE: See: The Danse Macabre Collection.