Wednesday, April 26, 2006

Unicorns and Other Wild Beasts

"THE name of Monoceros, that among the Latines sounds so much, as a one-horned beast, agrees to many creatures; but in a strict sense, is retained to one alone, namely that, who from having but one horn, bears the name of Unicorn.

[H]e is said to resemble in his whole body the Horse: He is tailed like a Boor, grins and snarls like a Lyon, headed like an Hart, footed like an Elephant, furnisht with one onely horn, and that a black one, two cubits long, standing in the midst of his fore-head. J.J."








[click images for larger version]

Beyond the mythical and religious symbolism, the unicorn also had a long run in the non-fiction rather than folklore section of literary history. It features in Pliny's Natural History and the writings of some formidable minds of the middle ages.

To varying degrees, the rhinoceros and narwhal have been cited as the basis for many of these 'factual' descriptions, such as in the introductory quote above. Perhaps it was just a case of misidentity coupled with wishful thinking, in so far as the unicorn has traditionally represented strength and was of course imbued with magical healing properties.
"A dream, if it is no more than that, of such great age and beauty as this of the unicorn, is far more worthy of consideration than the question whether we shall have one species more or less in the earth's fauna."
[Odell Shepherd]
In 1657, physician and naturalist Joannes Jonstonus (John Johnston) published his latin treatise Historiæ Naturalis de Quadrupedibus (later translated and released as 'A description of the nature of four-footed beasts : with their figures engraven in brass'). It includes 80 engraved plates of both real and fanciful beasties and there is obvious influence at times from the likes of Gesner, Dürer and Aldrovani. The illustration work was by Matthäus Merian (the Younger).
{note the webbed feet in the 2nd image above - the acquatic species}

Tuesday, April 25, 2006

Contes de Perrault




book illustration by perrault


book illustration by perrault





















It is somewhat ironic that the well educated lawyer Charles Perrault (1628-1703), who helped establish the French Academy of Science and whose writing in support of literary modernists was an antecedent to the Age of Enlightenment, is best remembered for popularizing the fairy tale genre. The new Age was not particularly partial to fantasy stories.

In 1697 he released a short book of 8 stories which were adapted from well known plots from the oral folk tradition. The original title was: Histoires ou Contes du Temps Passé, avec des Moralités: Contes de ma Mère l'Oye ('Fabled or Moral Stories from Times Past: Tales of Mother Goose' {my rendering}) and Perrault coyly published it under his son's name. Stories such as Puss in Boots, Cinderella and Sleeping Beauty are obviously still universally known from both book and film versions.

The lush art nouveau illustrations above by Félix Lorioux were released in a 1927 publication -- Contes de Perrault -- in which the text of 3 stories is greatly overshadowed by the artwork.

Large format images of ~30 illustrations are online at Universitätsbibliothek Braunschweig (table of contents).

Monday, April 24, 2006

The Art of Fencing






Regole di Molti Cauagliereschi Esercitii by Federico Ghisliero was first published in 1587 and joined a long line of European fencing manuals. There is very little information directly about this work or its author online. I presume that the heraldic miniature painting above is a bookplate of sorts.

One interesting sidenote to the publication - it was printed with about 30 blank pages and it appears that all of the illustrations were added by hand later, copied from a master draft. Hence, no 2 copies would have been the same; for those in which the sketches were actually added. The book is about 190 pages long and divided into theory and practise.

[As much as library stamps and copyright notices make for interesting
accoutrements to a 450 year old text, I chose on this occasion to remove them.]







Domenico Angelo (1717-1802) led something of an idyllic life. His wealthy merchant father supported his son's travels around their native Italy and Europe when Domenico was a young man.

During a 7 year stay in Paris, Angelo was privileged to receive training in horsemanship from Master equestrian: Monsieur de La Guerniere; learned dance from Gaetan Blathasar Vestris, the first dancer at the Paris Opera, and was instructed in fencing by the renowned Monsieur Teillagory. He also had an affair with the actress Peg Worthington who brought Angelo to England.

In England Angelo won some important fencing battles and established his School of Fencing, where the elite of British society gathered to learn swordsmanship and horse riding. The school was to remain in his family for generations and was still operating in the early 20th century.

Britain may have been something of a backwater in fencing instruction but Angelo's publishing in 1763 of his L'École des Armes, avec l'explication Générale des Principales Attitudes et Positions Concernant l'Escrime ('The school of fencing with a general explanation of the principal attitudes and positions peculiar to the art') was a watershed contribution in the history of fencing manuals. Diderot for instance published unedited sections and illustrations in his Encyclopédie.
Previous tangentially related: I, II, III.
(actually, there may be more semi-related posts --- another reason I need to go through the archives and post them all to del.icio.us. I guess the fact that I think about this more and more means that it is probably closer to being made manifest).

The Disconnect

Tiger Hunt, Elephant Mounted by Indians
Antoine-Louis Barye c. 1836

Karl Bodmer from his sketchbook 1836-1844







Saturday, April 22, 2006

On the Nature of Cuba












Histoire Physique, Politique et Naturelle de l'Ile de Cuba
by Ramon de la Sangra
1838-1857, in thumbnail galleries at NYPL
.


Friday, April 21, 2006

Medieval Satire








These are just a few manuscript vignettes found in the wonderful Liber Floridus database. All the above images are from the 14th or 15th century. This site hosts illuminated manuscripts for les bibliothèques Mazarine et Sainte-Geneviève.

The 1600 manuscripts (31,000 images) can be accessed either individually or via the iconography searching section (as I did). I clicked on 'thésaurus' near the bottom of the iconographique page and went trawling randomly through the huge list of keywords. [previously]

 
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