Wednesday, October 24, 2012

Il Gazzettiere Americano

Bird etchings from the 1763 Italian 
version of 'The American Gazetteer'



Tucano ò sia pica del Brasile
Tucano ò sia pica del Brasile

Description & notes: Toucan on the branch of a tree. Text describes a toucan with a red body and white throat. Scientific name: Ramphastos tucanus.

Illustration by Veremondo Rossi



Il re degli zopiloti ò sia degli avoltoi
Il re degli zopiloti ò sia degli avoltoi

Description & notes: Vulture or buzzard with skeletons of its prey about its feet. Text describes the vultures of the area around Acapulco; this is perhaps the turkey vulture or Cathartes aura.

Illustration by Veremondo Rossi



Penguino dell' America settentrionale
Penguino dell' America settentrionale

Description & notes: Penguin with detail of feather and head profile. Perhaps the Humboldt penguin which is native to Peru and Chile. Scientific name: Spheniscus Humboldti.

Illustration by Giuseppe Maria Terreni



Uccello Artico detto Nave da Guerra, che credesi il Maschio
Uccello Artico detto Nave da Guerra, che credesi il Maschio

Description & notes: Male Arctic tern. Scientific name: Sterna paradisaea.

Illustration by Antonio Gregori



Il pellicano d'America
Il pellicano d'America

Description & notes: Brown pelican stands on coast. Text describes pelican found in Jamaica. Scientific name: Pelecanus occidentalis.

Illustration by Violente Vanni



Gran grue della baia d'Hudson
Gran grue della baia d'Hudson

Description & notes: Heron from Hudson's Bay, probably a great blue heron. The great blue heron (Ardea herodias) range in Canada.

Illustration by Andrea Scacciati



Colibri col petto rosso maschio, e femmina
Colibri col petto rosso maschio, e femmina

Description & notes: Hummingbirds. Female sits on a nest with two eggs, while the male bird flies toward her. Also includes a butterfly.

Illustration by Veremondo Rossi



Airone cenerino dell' America settentrionale
Airone cenerino dell' America settentrionale

Description & notes: Little blue heron standing by the side of a pond. Also includes a fish. Identified as a gray heron (Ardea cinerea); here most likely a little blue heron (Egretta caerulea), a North American bird.

Illustration by Andrea Scacciati



1. Uccello Artico, che credesi la Femmina 2 Uccello chiamato volgarmente il Tropico
1. Uccello Artico, che credesi la Femmina
2. Uccello chiamato volgarmente il Tropico

Description & notes: Red-billed tropicbird and female Arctic tern. Includes detail of the two birds' heads. Scientific name of the red-billed tropicbird: Phaethon aethereus; scientific name of the Arctic tern: Sterna paradisaea.

Illustration by Ferdinando Gregori



1. Colibri verde colla coda lunga 2. Colibri minimo della sua grandezza naturale
1. Colibri verde colla coda lunga
2. Colibri minimo della sua grandezza naturale

Description & notes: Hummingbirds. Includes branches they are perched on and an egg. Text describes hummingbirds found in Jamaica. Scientific name: Archilochus colubris [?].

Illustration by Veremondo Rossi



18th century ornithological engraved etching
1 Fregata
2 Paill'encul
3 Grandgosier
4 Fiammingo
5 piccola Isola d'Aves

Description & notes: Frigate bird, paille-en-queue or tropicbird, pelican, flamingo and Aves or Bird Island. Text describes birds of the Caribbean islands. Frigatebird: (perhaps) Fregata magnificens, paille-en-queue or white-tailed tropicbird: Phaeton lepturrus, pelican: (perhaps) Pelecanus occidentalis, and flamingo: Phoenicopteridae ruber ruber (or the Caribbean flamingo). Image derived from Jean Baptiste Labat, 'Nouveau Voyages', Paris, 1722.

Illustrator not named



1. Aspetto della Montagna dello Zolfo 2 Uccello Diavolo
1. Aspetto della Montagna dello Zolfo
2 Uccello Diavolo

Description & notes: View of a sulfur mountain or volcano with two black men. Also includes a crow or raven and two dogs. Text discusses the mountain described by Labat and found in Guadeloupe.

Illustrated by Giuseppe Maria Terreni

{All the images above have been lightly spot-cleaned in the background. 
The descriptions/notes below the images are essentially quoted from the source website.
See the first comment below for proposed species identification corrections.}


The full title of the original 3-volume series, published in London in 1762, for J Millar and J&R Tonson, is:
'The American Gazetteer : containing a distinct account of all the parts of the new world, their situation, climate, soil, produce, former and present condition, commodities, manufactures and commerce; together with an accurate account of the cities, towns, ports, bays, rivers, lakes, mountains, passes and fortifications; the whole intended to exhibit the present state of things in that part of the globe, and the views and interests of the several powers who have possessions in America'.
The series is a geographical dictionary or perhaps, more correctly, an encylopaedia of the Americas and I recommend reading some sample paragraphs or pages: the language is wonderful, if dated.

In 1763 the books were translated into Italian and published in Livorno (by Marco Coltellini) as the first complete geographical description of the New World. More than seventy etched engravings of wildlife were added to the few maps that had been published in the first edition. It is the quality of some of the illustrations (the buzzard, pelican and toucan plates above, for instance) that mark this edition as a work of particular distinction.

I noted copies of 'Il Gazzettiere Americano' selling for £2500 this year, but didn't see any sales of the original edition in English in the recent past. I get the feeling that the Italian publication has a better, or more significant, reputation because of the greater range and quality of illustrations.

Monday, October 22, 2012

Kilian Grotesque Ornament

These images are from a 1607 suite of ornamental grotesque prints called 'Newes Gradesca Büchlein' by Lucas Kilian


In the middle Venus grabs Cupid's arrow, while his arch falls down by Lucas Kilian (1607) h'
Grotesque panel with Venus and Cupid; at centre; and two male half-length figures wearing helmets pouring liquid from large pitchers at upper centre from a series of thirteen plates with grotesque panels



A wagon is pulled by a winged satyr by Lucas Kilian (1607) d

A wagon is pulled by a winged satyr



In the middle is a man in oriental dress backwards on a donkey by Lucas Kilian (1607) e
Grotesque panel with a Turk sitting backwards on a donkey chased by wasps; at centre; half-length grotesque figures playing an organ and a harp at lower centre; male figures playing a lute and viola da gamba at centre left and right



A man in oriental dress with a banner sits on a drum in the middle by Lucas Kilian (1607) g
Grotesque panel with a Turk seated on a drum holding a banner; at centre; two Turkish horsemen below and two grotesque birds riding sows at lower centre



Sphere under a starry sky by Lucas Kilian (1607) c
Sphere under a starry sky



Bacchus sitting under an arch of vines, flanked by flower vases held by monkeys by Lucas Kilian (1607) j
Grotesque panel with a putto seated on a wine barrel at centre; two parrots in profile below; surrounded by festoons



Venus + 2 dolphins by Lucas Kilian (1607)
Grotesque panel with a nude female figure (Venus?) standing on a globe; at centre; half-length grotesque figures in various poses throughout



Diana + nymph by Lucas Kilian (1607) b
Grotesque panel with a female figure kneeling in front of a classical hunter (Venus and Adonis?) at centre; a hunter shooting a stag at upper centre, another attacking a boar with a spear at lower centre



A couple struggling in the middle by Lucas Kilian (1607) i
Grotesque panel with two male figures wrestling at centre; below a lion attacking a bull



Liquid from two horns by Lucas Kilian (1607) a
Grotesque panel with a half-length grotesque figure sitting on a shell holding two cornucopias at centre; liquid from the cornucopias flowing into bowls held by two seated figures below; with various animals throughout and two male figures at upper left and right roasting birds [Ed. I see kangaroos!]



A crowned woman stands in the middle flanked by two satyrs. Together they support a shell in which a figure sitting by Lucas Kilian (1607) f
Grotesque panel with a half-length grotesque figure sitting on a shell holding two sticks from which masks are dangling; below a whole-length figure standing underneath a canopy; grotesque figures reading and farting



Newes Gradesca Büchlein (title page) by Lucas Kilian (1607)
Title-page with a strapwork cartouche flanked by female personifications of sculpture and painting; at upper left and right putti holding a burin and a square and pair of dividers



Lucas (Lukas) Kilian (1579-1637) was a painter, draughtsman and engraver and was known to have worked for the publisher, Domenicus Custos [previously]. He spent three years in Italy, mainly in Venice, but lived the majority of his life in his home town of Augsburg in Germany, where he died.

Among the sparse web notes about Kilian is the inference that his independent prints (as opposed to the reproduction work he undertook in Italy to fund his travels) were influential with respect to the graded shade styling of auricular (ear-like) elements and in the novel dissolving grotesque tail appearances. It should be emphasised here that I'm parsing snippets of translated - sometimes garbled - mentions and it's equally possible that Kilian's work may simply be representative of a certain point in the evolution of grotesque embellishment rather than being at the forefront necessarily.

The images above are from an album called 'Newes Gradesca Büchlein' by Lucas Kilian, which he designed and published in Augsburg in 1607 and all but the last image comes from the Rijksmuseum. The British Museum was the source for the title page image and all the commentary below the images in black text (the blue is my rendering of the translation of the Dutch descriptions at the Rijksmuseum). There is, not unexpectedly, some minor contradictions between the commentaries at times.

It might be considered peripheral for the most part here, but one item of interest that surfaced when I was (mostly fruitlessly) searching for background to the Kilian print suite, is an old post from the esteemed misteraitch at Giornale Nuovo called Tales of the Arabesque.

 
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