Wednesday, November 19, 2008

Board Games

Five Centuries of Board Games

Filosofia cortesana de Alonso de Barros (1588)

Filosofia cortesana de Alonso de Barros

Etching/engraving made by Mario Cartaro in Venice in 1588. The game squares, numbering up to 63, lead to the ships sailing in the centre of the board on the 'sea of suffering'.

Il novo bello et piacevole gioco della scimia (1588)

Il novo bello et piacevole gioco della scimia
(The new beautiful and enjoyable game of apes)

Etching published by Altiero Gatti in 1588 featuring numerous monkeys displaying human characteristics.

Il novo et piacevol gioco del giardin d'amore (1590s)

Il novo et piacevol gioco del giardin d'amore
(The new and enjoyable game of the garden of love)

Published by Giovanni Antonio de Paoli in the 1590s, the board features two rows of game squares, the outer one displaying the virtues and the one closer to the central garden with game numbers on pairs of dice.

Il nuovo et piacevole gioco dell ocha (1598)

Il nuovo et piacevole gioco dell ocha
(The new and enjoyable game of the goose)

Engraving published by Lucchino Gargano in 1598 with the game rules in the centre and pictures of fools in each corner.

Nuovo et Piaccevole Gioco detto il Barone (1550-1600)

Nuovo et Piacevole Gioco detto il Barone
(?The baron's new and pleasant game)

Anonymous woodcut printed board game from the second half of the 16th century, featuring a rustic military figure in the centre carrying a flag inscribed "Capitano di Baroni".

Il Nuovo et Piacevole Giuoco del Biribisse (1640-1690)

Il Nuovo et Piacevole Giuoco del Biribisse
(The new and pleasant game of biribisse)

Etching published by Giovanni Giacomo de' Rossi between 1640 and 1690. The game board has numbered pictorial compartments of animals, objects and characters, repeated in smaller equivalent squares below the rules of the game.

Il gioco del aquila (1680s)

Il gioco del aquila
(The game of the eagle)

Etching print made by Giuseppe Maria Mitelli in the 1680s. The Imperial Eagle, surrounded by medallions depicting commanders, holds chains in its talons attached to defeated Turks.

Zuogh dal cacciator (1699)

Zuogh dal cacciator
(? [..] hunters)

Another Giuseppe Maria Mitelli print, dated 1699. There are eleven bird hunting scenes depicted.

Mitelli was an innovative and wonderful graphic artist - definitely go see: one , two & three at Giornale Nuovo and the previous entry on BibliOdyssey; they are all well worth seeing.

Karten Lotterie Spiel (1700-1710)

Karten Lotterie Spiel
(Lottery tickets)

Johann Trautner made this print between about 1700 and 1710. The circular game-board has three concentric rings, each divided into 32 compartments: the outer ring contains instructions; the next ring shows pictorial representations of playing cards which appear in their regular form in the inner ring, all surrounding a central domestic scene.

Game of the Goose (1700s)

Game of the Goose

Simplistic spiral arrangement of game squares in an anonymous board produced in the 1700s.

Il Dilettevole Gioco del' Oca (The Delightful Game of the Goose) (1700s)

Il Dilettevole Gioco del' Oca
(The Delightful Game of the Goose)

Anonymous 18th century board game print from Bologna with corner drawings of (what appear to be) Commedia dell'Arte figures and a central couple eyeing the goose hungrily. As with the majority of the goose games, this board has sixty three numbered playing fields.

Il novo e piacevole gioco del pela il chiu (1700s)

Il novo e piacevole gioco del pela il chiu
(known as: 'pluck the owl')

Humans and owls make up the majority of figures in the four concentric rings surrounding a crowned owl atop a 'triple six' of dice. The inscription language suggests the creator of this anonymous 18th century print comes from the north east of Italy and it may have been published in Parma by Giovanni Battista Panzera. The 't' and the 'p' below the compartmented figures refer to the number of quattrini ('q') that a player was awarded or had to pay out. Evidently it was a popular game: prints were still being published well into the 19th century. Generally speaking, people purchased their games as prints on paper and fastened them to a board or a hard surface in their own home (ie. this was the case for the majority of game boards: it's obviously cheaper to buy them unmounted)

Jagd-Spiel (Game of the Hunt) (1790s)

(Game of the hunt)

Published by Johann Raab in Nuremberg in the late 18th century, this print is described in the notes as a hand-coloured lithograph. I think it's more likely a woodblock print, given the fairly unsophisticated quality and the fact that lithography was only invented in 1796. *shrug*

Le Nouveau jeu de la marine (1790s)

Le Nouveau jeu de la marine
(The new navy game)
[spliced together - poorly - from two aberrant halves]

Hand-coloured etching from the 1790s filled with nautical terms and associated illustrations. Perhaps the British ship in the central scene could be sunk at the end of the game? I can't quite read the rules.

Grand jeu du nouveau testament avec 120 figures + Jeu et tableaux du nouveau testament (~1800)

Grand jeu du nouveau testament avec 120 figures
(Great game of the New Testament with 120 figures)

I recall this etching from 1800 was accompanied by two other similarly 'busy' sections and the complete print appears to offer three different games in the single layout. Nothing evokes the prospect of commercial success quite like the combination of religion, education and gambling.

A New Game of Emulation (1804)

"The New Game of Emulation designed for
The Amusement of Youth of Both Sexes and
calculated to inspire their minds with an
Abhorrance of Vice and a Love of Virtue"

Linen-backed, hand-coloured etching, published by John Harris in London in 1804. Circular game-board with 66 numbered pictorial compartments, some illustrating moral scenes, the last compartment showing an angel.

Musical Toy 1811

Musical Toy

Etching published by John Hatchard and John Harris in 1811. Circular game board with lines of musical notation, divided into 12 segments, with scales in the centre.

Neues Bilder Lotterie Spiel (1810-1820)

Neues Bilder Lotterie Spiel
(New picture lottery)

Anonymous print from about 1810 to 1820. Game-board with 80 pictorial compartments, arranged in 8 rows of 10, depicting flowers, animals characters and various objects, with instructions beneath.

Le Jeu de Paris en Miniature (1815)

Le Jeu de Paris en Miniature

Game board etching published in 1815 by Veuve Chéreau. Features ninety numbered pictorial compartments, each depicting a shop sign in Paris, with a literal interpretation of its name, a description of what it sells and its address; the winning square is 'Au Retour d'Astrée'; in the centre the rules.

Het Stoomboots  Spel (1810-1825)

Het Stoomboots Spel
(The steamboat game)

Dutch design published in Paris by A. Daane between 1810 and 1825. The covering of the paddle wheel bears the steamboat's name or the cities between which it operated, 'Rotterdam en Dort.' (Dort or Dordt is the informal name of the city of Dordrecht).

The Swan of Elegance - A New Game Designed for the Instruction and Amuseument of Youth (1814)

The Swan of Elegance -
A New Game Designed for the Instruction and Amuseument of Youth

John Harris published this linen-backed, hand-coloured etching in 1814. Each of the game board's compartment shows a child engaged in a moral or an immoral deed. A twelve page rulebook had four lines of verse explaining each scene. The medaliions in each corner represent Apollo, Minerva, Wisdom and Genius.

The Noble Game of the Swan (1821)

The Noble Game of the Swan

Another linen-backed etching - presumably for the children of the elite - from 1821, published in London by William Darton. The nineteen compartments of the swan game board includes the British Museum (No. 3). The game board came complete with a rule book, an etching of some swans and a slip case.

The Noble Game of the Elephant and Castle or Travelling in Asia 1822 (Christies)

"The Noble Game of the Elephant and Castle or Travelling in Asia Combining Amusement and Instruction for Youth of Both Sexes. A hand-coloured etching and engraving mounted on linen showing an elephant with scenes of Asia on his Howdah and trappings -- 19½in. (50cm.) by 15½in. (40cm.) in original slip case with coloured label showing an elephant under a palm tree, published by William Darton, 58 Holborn Hill 1822" [source: sold for £1,645]

Der Bergbau (The Working of Mines) (mid-1800s)

Der Bergbau
(The Working of Mines)

Hand-coloured lithograph, pasted onto marbled board from the mid-1800s. Game-board showing a cross-section of a mine and the network of tunnels leading down from 6 buildings, along the tunnels, various numbers which represent ore. Accompanied by 5 of an original 6 tokens in the form of miners, a rule sheet and an oblong box in which are small squares of glass, possibly originally used as counters. Kept in an embossed box with gold margins and bearing a printed label with an illustraion of a mine and the title in German, and beneath the lower margin, in French and English.

Die Steckenpferd Galloppade (1800s)

Die Steckenpferd Galloppade
(? The galloping hobbyhorse)

Game-board print by Johann Benedikt Wunder from the 19th century with 60 numbered compartments arranged in a spiral. Several compartments show various scenes, and a number of compartments show a hobby horse; the central compartment shows Minerva pointing at a folly (?), figures in each corner: top left, a child on a hobby horse waving a sword, top right an old man on a hobby horse also waving a sword, bottom right, a man with a searchlight, bottom left, a fool.

Kunst und Glück (1800s)

Kunst und Glück
(Art and happiness)

19th century anonymous game board etching with 16 compartments, numbered from 3 - 18, numbers 3 to 16 showing literary characters arranged in a square, with two larger central compartments, showing Dlle Sonntag and Signor Paganini. Accompanied by a letterpress rule sheet in French and German.

Giuoco dell' Oca (Game of the Goose) (1872+)

Giuoco dell' Oca
(Game of the Goose)

An 1872 Italian lithograph published by Lebrun-Boldetti & co with a goose in each corner in a compromising position.

Il Vero Giuoco della Barca (The True Game of the Boat) (1880-1895)

Il Vero Giuoco della Barca
(The True Game of the Boat)

Anonymous late 19th century game board lithograph of two sailors in a boat within a ring bearing numbers and shellfish. There are putti in each corner of the board and letterpress instructions beneath

A New Game - Russia versus Turkey (1875-1895)

A New Game - Russia versus Turkey

Hand-coloured anonymous etching published in Paris (for the Englsh market) between 1875 and 1895. The folding game-board has 55 numbered compartments (numbered both forwards and in reverse) arranged in two rough spirals of water, each emanating from a port - the Turkish port on the left and the Russian on the right, with associated ships, harbours, forts and sandbanks.

The Ranks to Field Marshall (1914-1918)

The Ranks to Field Marshall

First World War board game with portraits of George V and Field Marshals French and Kitchener. Anonymous artist. Manufactured in Britain as a process print on a board.

Manga sugoroku (Manga board game) 1929

Manga sugoroku
(Manga board game)

Print artist Okamoto Ippei's colour lithograph from 1929 featured as a supplement to the Japanese magazine, 'Shufu no Tomo' (Housewife's Friend). The board game (purports to) illustrate the life choices of a young modern woman.

Jagd auf Kohlenklau (Hunt the Coal Thief) 1930s

Jagd auf Kohlenklau
(Hunt the Coal Thief)

Very rare propaganda board game print published by Lepthian-Schiffers in the 1930s that sought to promote economy in the use of raw materials in Germany.

German print - game-board (1940s)

German print - game-board

Untitled anti-British World War II propaganda shipping race board game published by F Westenberger in about 1940.

British print - game-board (1940s)

British print - game-board

Anonymous and untitled, this lithograph was published in the 1940s*. Notably absent from the curator's notes are the terms 'anti-German' and 'propaganda'. Just an observation.
*Brett points out in the comments that the figures depicted in this game print date to WWI and not WWII - the British Museum are changing their notes.

[click on any image to go direct to the largest version]

Except where noted, all these board game prints were sourced from the British Museum Prints Database (search on "game-board" in the free text area towards the bottom and tick the images box - there are several hundred images available)

All the captions above are quoted or were derived from the curator's notes at the British Museum site.


I'm not a historian although I did start a history course (incomplete) some years ago. I remember reading a book about the industrial revolution and was impressed with the author's research. Specifically, I recall that in assessing the impact of industrialisation on the quality of life in childhood they included a copy of a shire pharmacy ledger that listed sales of medicines.

The quantities of laudanum (heroin derivative) sold over a given period of time was staggering. But the really impressive aspect - just in terms of smart thinking - was that the author showed that the graph of sales of the drug correlated fairly well with the infant mortality rate. Destitute people found it cheaper to spend what little they had on a 'medicine' to quieten their starving children rather than buying them food. Something like two out of every three kids didn't make it to the age of five years (that's surely inaccurate but it's in the ballpark range).
[Later: this was not fact-checked and is, at best, only partly true: read the comments.]

That little memory came back to me while I was trawling through these board game prints because, like the pharmacy ledger, the prints seem to me to contain a wealth of indirect evidence about things like customs and social status and attitudes to education and maybe a whole lot more besides. No, it's not atom splitting and it's perhaps quite logical to most people and second nature to historians. That doesn't detract, for me, from the elegant thinking I see in deciding to sift through a pile of otherwise inconsequential illustrated material to learn more about history. That sort of detective work makes history more appealing, more alive somehow.

I am going to have to cut this public musing short. My regular beast has contracted a very nasty virus which may yet have destroyed the hard drive's contents. For all our sakes, let's hope not. Time to look for a cure. I wonder where I can get hold of some laudanum?

In the meantime, a few little excerpts from the 'The Development of the English Board Game, 1770 - 1850' by Caroline G. Goodfellow IN: The International Journal for the Study of Board Games. There are a few articles and extracts available as pdfs. The cited article is well worth downloading, if only for the nice prints included. If 'things' go well, I may yet find - and add - some more relevant links. Or not.
"There are only a few basic methods of playing [board] games and over the past 250 years many thousands of variations have been created. The basic methods of play come down to four types – race games, strategy games, table games and card games. Many were originally developed for adults and were later adapted for children. [..]

The Game of Goose is generally regarded as the prototype of the modern race game. Devised in Italy and taken from much early formats of games played in the Middle and Far East, it was first noted in England by John Wolfe in 1597 as “the Newe and Most Pleasant Game of the Goose”. [..]

Many of the first publishers of games were in fact cartographers and they quickly included the race game idea into game of Geography. The spiral format was not used; it was replaced by a map – of England and Wales, Scotland and Ireland (collectively or individually), of Europe or of the world."

Update: Closely related: New exhibition site (March 2009) at BNF {en français}: **Jeux de Princes, Jeux de Vilains**

Sunday, November 16, 2008



Cornus, foliis Salicis Laurece acuminatis; floribus albis; fructu sassafras AND Orbis laevis variegatus

Unicornuis, Piscis Bahamensis

Frutex aquaticus, floribus luteis, fructu rotundo quinque-capsulari AND Acus maxima Squamosa viridis

Phylanthos Americana Planta flores ad foliorum crenas proferens AND Remora

An Acarauna major pinnis cornutis; an Paru Brasiliensibus

Anthea quartus Rondeletii

Bagre Secundae Speciei Marggr. affinis

Gugupuguacu Brasil AND Saltatrix

Harengus minor Bahamensis

Lithophyton longe racemosum cortice flavo perforato AND Muraena maculata nigris

Perca marina venenosa punctata

Perca marina capite Striato AND Albula Bahamensis

Salpa purpurascens variegata AND Petimbuabo Brasil

Solea lunata et punctata

Turdus flavus AND Turdus cinereus peltatus

Turdus oculo radiato Guaperua maxima caudata

Mark Catesby - Natural History of Carolina, Florida and the Bahama Islands (fish)

Turdus Rhomboidalis AND Turdus cauda convexa

These striking and sometimes fanciful hand-coloured 18th century engravings were published in Germany in 1777 in a book called 'Piscium, Serpentum, Insectorum, Aliorumque Nonnullorum Animalum'.

The illustrations were produced by Nicholaus Eisenberger and Georg Lichtensteiger. As I was to discover, they had re-engraved in folio format images that originally appeared in Volume II of Mark Catesby's seminal work, 'The Natural History of Carolina, Florida and the Bahama Islands'.

Catesby's magnum opus was published in London in instalments between 1729 and 1743 and stands as the first comprehensive illustrated natural history work detailing the flora and fauna of America.

[click on any image for an enlarged view; very large versions are also available]

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