Thursday, April 17, 2008

The Chronicles of Saxony

man standing on fish on plinth


knight on pedestal in incunabulum


3 figures on pedestals





man in cart pulled by horses


seated man blowing horn


saxony battle scene


Karolus de Grote in Cronecken der Sassen


castle scene - saxony chronicles



lion and town scene


chariot of Venus


Magegurg Caslte in Chronicles of Saxony


woodcut calligraphic letter


Woodcut Typography (detail)


Cronecken der Sassen coat of arms


In 1492, a year before Hartman Schedel's famous 'Nuremburg Chronicle', the first and perhaps rarest of the great 'world' histories was published in Mainz.

Written in middle German by the goldsmith Conrad Bote (Konrad Botho), with copious woodcut illustrations by unknown artists (referred to as Masters H and HR), 'Cronecken der Sassen' (The Chronicles of Saxony) was the last work by the printer, Peter Schöffer, who had originally learned his craft under Johannes Gutenberg.

'World' means that the book commences with the creation of the world - there is an illustration of Noah's Ark in there - but settles down to be a regionally focused history, with pictures of all the major cities and armorial bearings and portraits of ruling families strewn throughout the work. In the manner of the time, many of the woodblock images (and bold calligraphic letters) appear repeatedly, functioning in a symbolic or representative manner.

I've certainly seen some of the images before, no doubt copied in later works, but I'm not sure if I've seen any similar figures in earlier handwritten manuscripts. There is very little online (in any language really) that provides more than just a cursory overview of the work.

Wednesday, April 16, 2008

Gottorp Kunstkammer

Arcimboldo permutations

This riff on Giuseppe Arcimboldo's (wikipedia) 'The Four Seasons'
is appropriately timed (well, appropriate if you are in Austria
in the next six weeks anyway) --- the first-ever full-scale survey
dedicated to the proto-Surrealist’s work is currently on display
at the Kunsthistorisches Museum in Vienna (ends 1 June 2008).
Addit: see Guardian Arts story: 'Natural Wonders'



Statues


Mummy


Bats and birds


Chameleon and friends


Armadillo and friends


Squid - cabinet of curiosities


Seahorse and weird sea creatures


Sea Creatures


Various sea creatures - Gottorp Kunstkammer


Cultural portraits


Inuit - Cabinet of Wonders


More Cultural portraits


German scholar Adam Olearius (1603-1671) is remembered because of his diplomatic activities on behalf of his home state of Holstein. He was part of two ambassadorial delegations that visited Russia and later, Persia, seeking to establish an overland trade route to Persia.

The commercial aims of the journeys were largely unsuccessful but Olearius afterwards published his detailed observations in a travel book that had several editions and translations and which introduced Europe to Persian culture.

Beyond his diplomatic envoy role, Olearius was employed by Duke Frederick III of Holstein-Gottorp in a number of functionary positions. As librarian he helped expand the book and manuscript holdings of the Duke and as keeper of the Cabinet of Curiosities, Olearius purchased key regional collections and saw to it that Oriental specimens were included in the exhibit.

Monday, April 14, 2008

Fragmenta Botanica

Aloe Serra


Sida graveolens Sweet, Florida Keys Indian mallow


Brownea grandiceps


Hæmanthus toxicarius


Phœnix reclinata - Senegal Date Palm


Dolichos sanguineus


Melanthium ciliatum


Melanthium ciliatum a


Pink-White flower sprig


Palma thebaica


Palma thebaica a


Palma thebaica b


Red, Pink and cotton-topped flowers



"Fragmenta Botanica, figuris coloratis illustrata :ab anno 1800 ad annum 1809 per sex fasciculos edita /opera et sumptibus Nicolai Josephi Jacquin" at Botanicus.

An easy way to see thumbnails of the illustrations - Illustrated Garden.

Splicing screencaps together whiled away a wet sunday arvo'. I posted a couple of humble Oxalis images by Jacquin previously. I wouldn't describe his approach as dispassionate necessarily, but Jacquin treats his subject matter equally, whether it's a rose or a weed. Elegance for all.

 
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