Thursday, July 05, 2007

Magnetologia Curiosa

"We may see how far from unproductive magnetick philosophy is, how agreeable, how helpful, how divine! Sailors when tossed about on the waves with continuous cloudy weather, and unable by means of the celestial luminaries to learn anything about the place or the region in which they are, with a very slight effort and with a small instrument are comforted, and learn the latitude of the place." [William Gilbert, 1600, 'De Magnete']

Magnetologia Curiosa Frontpiece

Magnetologia Curiosa 1690 - titlepage


magnetism diagrams 1690


Magnetologia Curiosa - Joachim Dalencé illustrations


Joachim Dalencé - Magnetologia Curiosa


Joachim Dalencé - historical magnetism images


Joachim Dalencé - 1690 magnetism experiments


Joachim Dalencé - illustrations from Magnetologia Curiosa


Illustrations of magnetism 1690


Illustrations by Joachim Dalencé - 1690


History of Magnetism


Historic magnetic experiments

history of magnetism experiments


historical illustrations of magnets


historic magnetic illustrations - Joachim Dalencé


Joachim D'Alencé - history of magnetism 1690


Magnetologia Curiosa 1690 by Joachim Dalencé


Joachim Dalencé's magnetism history: Magnetologia Curiosa
[click for much enlarged versions]

Fumbling around in the 17th century for the rational means by which to comprehend and describe such a mysterious force as magnetism must have been a very difficult intellectual enterprise (and still is, for many of us).

The abstraction of these emerging scientific developments into a visual format to accompany and highlight the practical explanations presented its own challenges. When you only have a limited understanding of the nature of the science and a very modest visual vocabulary in historical terms with which to express these ideas, it seems quite appropriate I suppose, with the benefit of hindsight, to see that the early illustration work in this area was a mixture of old and new representations.

The illustrations above come from a 1690 book by Joachim d'Alencé (Dalencé) called 'Magnetologia Curiosa', from the Max Planck Institute's European Cultural Heritage Online. It is not a particularly outstanding work in science history nor even in technical virtuosity of illustration. But I think it's interesting nevertheless in the way it employs allegorical motifs (hands from clouds; cupids) for instance, to underline the notion that there are great forces at work. [The original book was published in 1687 under the title 'Traitté de l'aiman'] The book is divided into 2 sections: a short outline of magnetism and experiments performed and the back section containing about 30 illustrations - I think I've posted all of them above, but larger versions in full page format are available at the ECHO site.

The seminal text on magnetism from the early modern period was 'De Magnete' by William Gilbert (1600) in which, among other things, he described the geomagnetic basis for the operation of a compass and coined the latin derivative for the word electricity. It was not only the first work on experimental physics but is also widely regarded as the beginning of modern science. It had a profound influence on Galileo, Kepler and Newton.

Wednesday, July 04, 2007

Ornamental Decoration in 17th Century France

Jean Le Pautre titlepage


ornamental grotesque faces


decorative embellishment


fountain arabesque


armorial ornament


Le Pautre ornament with putti


17th cent. french ornamental motifs


extravagant 17th cent. french ornamentation


grotesque border motif


17th cent. decorative embellishment


border motifs - 17th cent. designs


border grotesques and arabesques


Le Pautre - 17th cent. ornamental design


ornamental design vignettes


17th cent. french ornamental design - Le Pautre


arabesque and grotesque fountain designs


decorative embellishment - architectural design


3 grotesque face designs


17th cent. french fountain decorative design


17 cent. decorative stand and vase design


17th century plinth design


french design motifs


Jean Le Pautre (Lepautre or Lepaultre) (1618-1682) has been described as the most important ornament engraver of the 17th century. His prodigious output extended to more than 2000 prints, mostly from his own original designs.

He was not only the originator of the grandiose Louis XIV style but was also responsible for disseminating and popularising its full lavish repertoire throughout Europe. Le Pautre's often over-elaborate and flamboyant designs frequently included arabesques, grotesques and cartouches, together with elements from classical mythology.

His diverse range of subject matter, influenced by his carpentry/joinery architectural background, included: friezes, wallpaper, alcoves, fireplaces, furniture, murals, ceiling mouldings, fountains and grottoes.


A 3-volume series of his works was released in 1751 by Charles-Antoine Jombert of Paris, under the title: 'Oeuvres D'Architecture De Jean Le Pautre' and was recently uploaded by the University of Heidelberg. (Hint: to get to the thumbnails, click on 'Titelblatt', then the '-' symbol and arrow across to reach the 147 illustrations) The sample of images above are from Volume One which concentrates on the grotesque/arabesque prints.


architectural border design - 17th century france

 
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