Monday, April 24, 2006

The Art of Fencing






Regole di Molti Cauagliereschi Esercitii by Federico Ghisliero was first published in 1587 and joined a long line of European fencing manuals. There is very little information directly about this work or its author online. I presume that the heraldic miniature painting above is a bookplate of sorts.

One interesting sidenote to the publication - it was printed with about 30 blank pages and it appears that all of the illustrations were added by hand later, copied from a master draft. Hence, no 2 copies would have been the same; for those in which the sketches were actually added. The book is about 190 pages long and divided into theory and practise.

[As much as library stamps and copyright notices make for interesting
accoutrements to a 450 year old text, I chose on this occasion to remove them.]







Domenico Angelo (1717-1802) led something of an idyllic life. His wealthy merchant father supported his son's travels around their native Italy and Europe when Domenico was a young man.

During a 7 year stay in Paris, Angelo was privileged to receive training in horsemanship from Master equestrian: Monsieur de La Guerniere; learned dance from Gaetan Blathasar Vestris, the first dancer at the Paris Opera, and was instructed in fencing by the renowned Monsieur Teillagory. He also had an affair with the actress Peg Worthington who brought Angelo to England.

In England Angelo won some important fencing battles and established his School of Fencing, where the elite of British society gathered to learn swordsmanship and horse riding. The school was to remain in his family for generations and was still operating in the early 20th century.

Britain may have been something of a backwater in fencing instruction but Angelo's publishing in 1763 of his L'École des Armes, avec l'explication Générale des Principales Attitudes et Positions Concernant l'Escrime ('The school of fencing with a general explanation of the principal attitudes and positions peculiar to the art') was a watershed contribution in the history of fencing manuals. Diderot for instance published unedited sections and illustrations in his Encyclopédie.
Previous tangentially related: I, II, III.
(actually, there may be more semi-related posts --- another reason I need to go through the archives and post them all to del.icio.us. I guess the fact that I think about this more and more means that it is probably closer to being made manifest).

The Disconnect

Tiger Hunt, Elephant Mounted by Indians
Antoine-Louis Barye c. 1836

Karl Bodmer from his sketchbook 1836-1844







Saturday, April 22, 2006

On the Nature of Cuba












Histoire Physique, Politique et Naturelle de l'Ile de Cuba
by Ramon de la Sangra
1838-1857, in thumbnail galleries at NYPL
.


Friday, April 21, 2006

Medieval Satire








These are just a few manuscript vignettes found in the wonderful Liber Floridus database. All the above images are from the 14th or 15th century. This site hosts illuminated manuscripts for les bibliothèques Mazarine et Sainte-Geneviève.

The 1600 manuscripts (31,000 images) can be accessed either individually or via the iconography searching section (as I did). I clicked on 'thésaurus' near the bottom of the iconographique page and went trawling randomly through the huge list of keywords. [previously]

Thursday, April 20, 2006

Dulac on Andersen






I sometimes follow Suzanne's lead and check out the recent Project Gutenburg publications.

Most of the time I'm disappointed with the quality of the illustrations but I was pleasantly surprised today to find great images in Stories from Hans [Christian] Andersen with Illustrations by Edmund Dulac. First published 1911.

A modest set of Dulac covers. I'll probably come back and do a more extensive post on Dulac sometime in the future. Nice work.

Wednesday, April 19, 2006

Sandrart's History of Art and Architecture













[click images for larger versions]

In his time Joachim von Sandrart (1606-1688) was the most famous artist in Germany. He trained in engraving and painting and travelled extensively in Italy and England and was accompanied by Peter Paul Rubens on a tour of Holland.

Although he concentrated on portrait painting, he is best remembered for his art history writings, chief among them being a 2 volume work:

Der Teutsche Academie der edlen Bau-, Bild- und Mahlerey-Künste
('German Academy of the Noble Arts of Architecture, Sculpture and Painting') -- usually known as 'Teutsche Academie'; published between 1675 and 1683.

"The Teutsche Academie is an illustrated compendium of art education and of artist biographies compiled from a variety of sources as well as descriptions of Roman antiquities, inventories of famous private art collections and libraries"
It remains a significant primary art history source mostly because of the original material included about Sandrart and his contemporaries. Beyond the artistic and architectural illustrations, Teutsche Academie has large numbers of medallion engraving of Gods, artists and philosophers and includes a german translation of Ovid's Metamorphoses.

The University of Heidelburg has what appears to be the complete work divided into 9 or 10 website sections. There are no thumbnails unfortunately so it is a laborious task flicking through them all for signs of outlandish baroque illustrations between the extensive text. There must be around 250 engravings in total. It took me a long time to cull down the 40 or so images I had saved. The top picture reminds me of Boillot/Sambin and 2 of them near the centre seem to be depictions of Wunderkammer. The final image is a map of Roman effigies Rome.

 
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