Thursday, June 16, 2011

Persian Poetics

Tuḥfat al-ʻIrāqayn : manuscript, 1604



Khaqani MS k




Khaqani MS l



Khaqani MS




Khaqani MS i



Khaqani MS a



Khaqani MS d



Khaqani MS e



Khaqani MS f



Khaqani MS b



Khaqani MS c



Khaqani MS g



Khaqani MS j



Khaqani MS h



Khaqani MS m



{the images were spliced together from screencaps and it's worth clicking through to look at the higher resolution versions; the notes below are essentially paraphrased from the bibliographic record}



This manuscript of Persian poems was written in a small professional nastaliq* script in black ink in two columns laid into the pages. The text is framed within multiple coloured lines (red, green, gold, black and blue).

The page-borders are patterns of birds and animals in colours (pink, orange, blue, etc...) outlined in gold. There are numerous aniconic* headpieces in colours and gold, and three miniatures from the Isfahan school. All of the pages are decorated.

The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī, Afz̤al al-Dīn Shirvānī from the end of the 12th century. The poems are classified bibliographically as travel anecdotes.


Tuḥfat al-ʻIrāqayn (MS Typ 536) was digitised by Houghton Library at Harvard University.

I came across the work while looking through the manuscripts in Harvard's Islamic Heritage Project.

Previously: arabic; illuminated.

5 comments:

  1. Is 'laid in' the same as 'tipped in'? These look to me as if the manuscripts are matted. Just curious.

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  2. That was not my construction: it's assimilated from the bibliography. I don't believe the composition of the manuscript medium itself was mentioned.

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  3. Such beautiful floral motifs! I would never have the patience to create such intricate line work! Thank you for sharing these!

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  4. Those are fantastic. What beautiful design they had and so detailed it's really impressive. It must have taken someone weeks to finish a page.

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  5. Stunning decorative work. The background pattern work seems to have been copied countless times in European textile and wallpaper work.

    ReplyDelete

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