Monday, September 26, 2005

Emblemata

The Author's Meditation upon sight of his Picture
[large jpeg]

What I Was, is passed by;
What I Am, away doth flie;
What I Shal Bee none do see;
Yet, in that, my Beauties bee.
George Wither 1635*

Frontpiece* George Wither 1635

*A collection of Emblemes, Ancient and Moderne, Quickened with metricall illustrations, both Morall and divine: And Disposed into lotteries, that instruction, and good counsell, may bee furthered by an honest and pleasant recreation. George Wither 1635 in 4 volumes.

Emblem books were a popular form of moral publication in 15th and 16th century Europe. The idea was that you would meditate upon the pictures (typically woodcuts) with varying possible allegorical interpretations, and then read the adjacent text to fully understand the meaning. Thus, a sort of dual form of communication was used by the author to impart religious or secular ethics. The original emblem book, Emblematum liber was written by an Italian, Andrea Alciato in 1531, but this style of book was most popular in Belgium, Holland and Germany.

George Wither, puritan, satirist and poet of modest renown, was imprisoned a number of times for his blunt libels against the reigning powers. He was ulimately employed by a publisher to contribute emblematic verse to extant book plates by Crispin van Passe, but emblem books never grew to be as popular in Britain.

Pennsylvania State University have a number of scanned emblem books online as part of The English Emblem Book Project. There is some minor background commentary, but it's mostly about the research project.

Sunday, September 25, 2005

Astronomické České




Manuscript Title: Textus varii
Date: 14th or 15th century
Text Script: Latin
Repository: Královská kanonie premonstrátů na Strahově, Praha
Website: Demo Versions of Complete Documents - Czech Manuscriptorium Memoria Project

My best search efforts failed to turn up much more by way of information, although I'm copying in the Latin/Czech notations from this manuscript as a comment. Fully half of the 150-odd page manuscript are illustrations in a similar vein to those above. I saved these images in the supposedly poor quality mode to avoid an imprinted watermark, but I don't think there was much loss of quality. Each of the 8 or so 'demo' manuscripts open in a modified window allowing for zoom and multiple page previews. Please educate me if anyone knows anything about Textus varii. Of course 'various texts' doesn't quite have the same ring of authenticity now does it?

Saturday, September 24, 2005

Medical Science Portrait Engravings


Philip Theophrastus Paracelcus (1493-1541) by John Payne (artist) & John Fillian (engraver)


Franz Antoine Mesmer (1734-1815) by Dupin Le jeune (engraver) & Claude-Louis Desrais (painter)

The only way to circulate pictures of famous people prior to photography was to have their portraits engraved. Most were completed with reference to oil paintings or sketches. The Harvey Cushing/John Hay Whitney Medical Library at Yale University School of Medicine have a HUGE database of portrait engravings. Most subjects are from the medical and science fields but they also have statesmen, lawyers, theologians, philosophers and more. Search by artist/subject/academic area/title/keyword, with and without thumb displays. [inadvertently via]

The Labyrinth

"..amid the insipissated grime of his glaucous den making believe
to read his usylessly unreadable Blue Book of Eccles.."
James Joyce Finnegans Wake 1939.


Circe and Ulysses
Michael Wolgemut 1493
Woodcut










" "Where do you begin in this?" Stephen Dedalus asks his Dalkey schoolboys, 'this' being the book before them. The question returns with each new reader approaching Ulysses for the first time. The commonplace response of the contemporary Joyce critic is itself Joycean: of course, there is no possibility of beginning Ulysses, much less of finishing (with) it. Joyce's book has so colonized twentieth-century Anglophone culture that we can never now enter it for the first time. Instead, we most resemble members of that parade of guests Bloom imagines both preceding and succeeding him into Molly's bed: 'he is always the last term of a preceding and succeeding series even if the first term of a succeeding one, each imagining himself to be the first, last, and only and alone whereas he is neither first nor last or only nor alone in a series originating in and repeated to infinity'. "
Jeri Johnson Introduction. Ulysses by James Joyce. 1993. Oxford University Press.



James Joyce sketched by the author in Zurich, 1919 in
James Joyce and the Making of Ulysses and other writings by Frank Budgen.

"..it is very likely that Ulysses is cast in a form for which, even yet, there is no name. Perhaps that is as it should be, for a name is a barbarism, a limitation; and Ulysses is an endlessly open book of utopian epiphanies. It holds the mirror up to the colonial capital that was Dublin, 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments."
Declan Kiberd. Introduction. Ulysses by James Joyce. 1992. Penguin Books.


This is Banned Books Week. More from wikipedia.

Go read it, you know you want to.

Friday, September 23, 2005

The History of the Printed Image


The Nymph of Fontainbleu c.1545-54
Pierre Milan & René Boyvin
Etching

Boxers 1818
Jean-Louis-André-Théodore Gericault
Lithograph








Casspirs Full of Love 1989-2000
William Kentridge
Drypoint






















The Metropolitan Museum of Art have a very fine visual and educational exhibit describing the history and techniques of the printed image in the west.

The Sailors Return



The Sailors Return engraving by C. Mosley mid-to-late 1700s

Maritime Art Greenwich has an essays section and this image (I can't find or work out what publication it's from - does anyone know?*) appears alongside Geoff Quilley's excellent read: The Image of the Ordinary Seaman in the 18th Century.

We are told that the accompanying verse clarifies the scene depicted. The sailor's sweetheart, in her enthusiasm to see her beau again, drops and breaks some eggs - an allusion to her loss of virtue during his absence. Her mother with 'The wealthy Chest, on which she plac'd her hopes, And for the Richest Prizes careful Gropes'. Note too the further vulgar tone of the scene with whoring in the background and vomit cascading down from yon' window. Good times.
Addit: *I don't rule out ignorance on my part - it may have been produced as a single work without publication of course.

 
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